Roger William Corman (born April 5, 1926) is an American film producer and director. Sometimes nicknamed "King of the B-movies" for his output of B-movies (though he himself rejects this as inaccurate), Corman has mostly worked on low-budget films. Some of his work has an established critical reputation, such as his cycle of films derived from the tales of Edgar Allan Poe, and he has also won an Academy Award for his work. Corman is also an occasional actor, taking minor roles in such films as The Silence of the Lambs, The Godfather Part II, Apollo 13 and Philadelphia. Corman has served as a mentor to many famous directors early in their careers, stressing the importance of budgeting and resourcefulness; Corman once joked he could make a film about the fall of the Roman Empire with two extras and a sagebrush. Early life Corman was born in Detroit, Michigan, the son of Anne and William Corman, an engineer. His brother Gene Corman has also produced numerous films, sometimes in collaboration with Roger. Roger Corman received an industrial engineering degree from Stanford University, beginning his film career in 1953 as a producer and screenwriter. Corman started directing films in 1955. Career In Corman's most active period, he would produce up to seven movies a year. His fastest film was perhaps The Little Shop of Horrors (1960), which was reputedly shot in two days and one night. Supposedly, he had made a bet that he could shoot an entire feature film in less than three days. Another version of the story claims that he had a set rented for a month, and finished using it with three days to spare, thus pushing him to use the set to make a new film (These claims are disputed by others who worked on the film, who have called it part of Corman's own myth-building). Although highly cost-effective, Corman's parsimonious approach to filmmaking was not without its critics; Charles B. Griffith, who wrote the original screenplay for Little Shop, later remarked that "[Corman] uses half his genius to degrade his own work, and the rest to degrade the artists who work for him."Corman is probably best known for his filmings of various Edgar Allan Poe stories at American International Pictures, mostly in collaboration with writer/scenarist Richard Matheson, including House of Usher (1960), The Pit and the Pendulum (1961), The Premature Burial (1962), Tales of Terror (1962), The Raven (1963), The Haunted Palace (1963), The Masque of the Red Death (1964), and The Tomb of Ligeia (1964). All but The Premature Burial starred Vincent Price. After the film version of The Raven was completed, he reportedly realized he still had some shooting days left before the sets were torn down and so made another film; The Terror (1963) on the spot with the remaining cast, crew and sets. 






























An ode to Frances Sargent Osgood. To translate the address, read the first letter of the first line in connection with the second letter of the second line, the third letter of the third line, and so on. The name will thus appear. 1.For her this rhyme is penned, whose luminous eyes,2. Brightly expressive as the twins of Leda,Shall find her own sweet name, that nestling lies3. Upon the page, enwrapped from every reader.Search narrowly the lines! — they hold a treasure4. Divine — a talisman — an amuletThat must be worn at heart. Search well the measure-5. The words — the syllables! Do not forgetThe trivialest point, or you may lose your labor6. And yet there is in this no Gordian knotWhich one might not undo without a sabre,7. If one could merely comprehend the plot.Enwritten upon the leaf where now are peering8. Eyes scintillating soul, there lie perdusThree eloquent words oft uttered in the hearing9. Of poets, by poets — as the name is a poet's, too,Its letters, although naturally lying10. Like the knight Pinto-Mendez Ferdinando —Still form a synonym for Truth — Cease trying!11. You will not read the riddle, though you do the best you can do.A Valentine (1846)First published in the New York Evening Mirror's February 21, 1846 issue, "A Valentine" was written specifically for Frances Sargent Osgood, whose name is hidden within the lines of the poem. In its first publication, it had the title "To Her Whose Name Is Written Below." To find the name, take the first letter of the first line, then the second letter of the second line, then the third letter of the third line, and so on. Before its publication, it was presented at a private literary salon at the home of Anne Lynch Botta on February 14, 1846. Though Poe was not in attendance, it was a very public revelation of his affection for Osgood.


The Loves of Edgar Allan Poe (1942)Poe is played by John Shepherd (later known as Shepperd Strudwick). Stunning Linda Darnell plays Virginia Clemm. A quite young Henry Morgan (billed as Henry Morgan) aka MASH's "Colonel Potter" shows up as Ebenezer Burling IMDB Plot Summary:"Edgar Allan Poe led an unhappy childhood, broken only by the unceasing devotion of his foster mother, Mrs. Frances Allan, whose loving ministrations gave him courage to carry out his desire to write. His first love was Elmira Royster, and though she married another while he was at the University of Virginia, he could never purge his thoughts of her and, under the influence of her spell, he poured out the deepest passions of his heart. After a discouraging period during which he was disowned by his foster father and lost his appointment to West Point, he found the love that tamed his restless heart with Virginia Clemm. After he and Virginia married, Poe did his greatest creative work, writing for the Southern Literary Messenger and Graham's Magazine." Plot summary written by Les Adams on IMDB.




The Strange Life And Strange Loves Of Edgar Allan Poe
Sarah Elmira Royster Shelton (1810 – February 11, 1888) was an adolescent sweetheart of Edgar Allan Poe who became engaged to him shortly before his death in 1849.Their early relationship, begun when she was 15, ended due to the interference of her father while Poe was studying at the University of Virginia. Two years later she married Alexander B. Shelton, who became wealthy through his involvement in the transportation industry. The couple had four children, though only two lived past infancy. After his death in 1844, Royster and her children inherited $100,000 with the stipulation that she would lose a portion of this estate if she remarried.Poe came back into her life in 1848 and they renewed their relationship. Poe pressed her to marry him, though she was hesitant and her children did not approve. They never married; he died shortly thereafter in October 1849. Royster had an influence on Poe's work and may have inspired "The Raven" and "Annabel Lee." The early relationship between Poe and Shelton was immortalized by other writers, including Poe's brother William Henry Leonard Poe.BiographyRoyster and Poe were neighbors in Richmond, Virginia[1] when they began their relationship in 1825, when she was 15 years old and he was 16. They discussed marriage, though Royster's father vocally disapproved. They were secretly engaged as Poe began classes at the University of Virginia in 1826; however, Royster's father intercepted and destroyed all of Poe's letters to his daughter.[2] Royster wrote later that his disapproval was only because of their young age but he likely also considered Poe unsuitable due to social and financial status as a poor orphan.[3]Thinking Poe had forgotten her, Royster married Alexander Shelton, a businessman from a well-to-do Virginia family. Royster was only 17 at the time but quickly gained social prominence and wealth: Shelton worked in the transportation industry and was for a time the co-owner of a boat line that travelled the James River.[4] The couple had four children, though a son and a daughter died in infancy.[5] Alexander Shelton died of pneumonia[6] at the age of 37 on July 12, 1844.[7] Royster and her two children were left an estate worth $100,000.[4]Second relationship with PoePoe and Royster would meet again in July 1848,[8] over a year after the death of Poe's wife Virginia Clemm. His visit was unannounced. As Royster described it: "I was ready to go to church and a servant told me that a gentleman in the parlor wanted to see me. I went down and was amazed to see him—but knew him instantly".[9] By this time, Royster was very religious, having been baptized as an adult at St. John's Episcopal Church.[4] She was 39 and living with her 19-year old daughter Ann and 10-year old son Southall.[6] A friend described her as being very attractive around this time:"Her eyes were a deep blue, her hair brown, touched with grey, her nose thin and patrician... Her voice was very low, soft and sweet, her manners exquisitely refined, and intellectually she was a woman of education and force of character. Her distinguishing qualities were gentleness and womanliness."[9]Royster attended Poe's lecture in Richmond, sitting in the front row.[9] Poe and Royster rekindled their relationship somewhat and discussed marriage. Her children disapproved, however, and her dead husband's will stipulated that remarriage would remove three-quarters of her estate.[8] Poe visited Richmond on September 17, 1849, and stayed with Royster for the evening. He wrote: "I think she loves me more devotedly than any one I ever knew... I cannot help loving her in return."[10] Poe hoped to be married before he left Richmond and pushed her to respond. She wanted time to consider: "I told him if he would not take a positive denial he must give me time to consider it."[11] Royster may have been reticent because of the rumors of Poe's drinking and, because of this, may have inspired Poe into joining the Richmond chapter of the Sons of Temperance.[12] Poe's lecture tour then brought him to Norfolk, Virginia and Old Point Comfort.[13] It is unclear if the couple was ever officially engaged but most biographers agree that they came to an "understanding" by late September.[8]The wedding never took place; after Poe said goodbye to her, he left Richmond on September 27, 1849, and died mysteriously only two weeks later in Baltimore.[8] Royster recalled her last moments with him: "He came up to my house on the evening of the 26th Sept. to take leave of me.–He was very sad, and complained of being quite sick... I felt so wretched about him all of that night, that I went up early the next morning to enquire after him, when, much to my regret, he had left in the boat for Baltimore."[14] On his deathbed, Poe mentioned a wife he had in Richmond, possibly referring to Royster.[15] Biographer John Evangelist Walsh suggests that Royster's brothers were responsible for Poe's mysterious death.[16]Royster later said that she would not "have married him under any circumstances." A letter Royster wrote to Poe's mother-in-law Maria Clemm, however announced that she was ready to accept her as her own mother-in-law.[14] In her letter, she also referred to Poe as "the dearest object on earth" to her.[17]Later lifeAfter Poe's death, Royster refused to speak about him or her relationship, bluntly denying all requests and living a relatively reclusive lifestyle. In 1875, she finally granted an interview to local sculptor Edward Valentine as a response to a Poe biography written by John H. Ingram. In this conversation she vehemently denied ever having been engaged to Poe.[18] In June 1884, however, she privately admitted to Dr. John Joseph Moran, Poe's attending physician at the time of his death, that she and Poe had been engaged.[19] Royster died on February 11, 1888, and her obituary, published on the front page of the Richmond Whig on February 12, bore the heading "Poe's first and last love,"[20]References in literatureMany of the poems in Poe's first published work, Tamerlane and Other Poems (1827), were inspired by his failed childhood romance with Royster, with many lines discussing the follies of youth and lost love.[21] One of Poe's minor poems, "Song," is presumed to be about Royster. She also believed that the "lost Lenore" in the poem "The Raven" as well as the title character in "Annabel Lee" were representative of her and claimed that Poe himself had assured her of it.[22] Biographers, however, often debate Poe's inspiration, particularly for "Annabel Lee." Poe's wife Virginia, who had died two years prior to the poem's publication, was suggested by poet Frances Sargent Osgood and generally is considered the most likely candidate for the title character, though Osgood herself is another possibility.[23] Sarah Helen Whitman and Sarah Anna Lewis also claimed to have inspired the poem.[24] Even so, in her later years, Royster was known familiarly in Richmond as "Poe's Lenore."[20]Poe's brother William Henry Leonard Poe also wrote a short story based on his brother's young romance with Royster called "The Pirate" which was published in the October 27, 1827, issue of the North American.[25] Lambert A. Wilmer, a Baltimore writer who was friend of both Poe brothers, also wrote about the young relationship. His drama in verse, Merlin, was in three parts, the first of which was published on August 18, 1827.[26]Further readingDavis, Harriet Ide. Elmira: The Girl Who Loved Edgar Allan Poe. Houghton Mifflin Co., 1966.References1.^ Stashower, Daniel. The Beautiful Cigar Girl: Mary Rogers, Edgar Allan Poe, and the Invention of Murder. New York: Dutton, 2006: 38. ISBN 052594981X2.^ Walsh, John Evangelist. Midnight Dreary: The Mysterious Death of Edgar Allan Poe. New York: St. Martin's Minotaur, 2000: 6. ISBN 03122273293.^ Meyers, Jeffrey. Edgar Allan Poe: His Life and Legacy. New York: Cooper Square Press, 1992: 18. ISBN 08154103874.^ Silverman, Kenneth. Edgar A. Poe: Mournful and Never-ending Remembrance. Harper Perennial, 1991: 425. ISBN 00609233185.^ Walsh, John Evangelist. Midnight Dreary: The Mysterious Death of Edgar Allan Poe. New York: St. Martin's Minotaur, 2000: 5–6. ISBN 03122273296.^ Walsh, John Evangelist. Midnight Dreary: The Mysterious Death of Edgar Allan Poe. New York: St. Martin's Minotaur, 2000: 5. ISBN 03122273297.^ Thomas, Dwight and David K. Jackson. The Poe Log: A Documentary Life of Edgar Allan Poe 1809–1849. New York: G. K. Hall & Co., 1987: 467. ISBN 07838140118.^ Sova, Dawn B. Edgar Allan Poe: A to Z. New York: Checkmark Books, 2001: 214. ISBN 081604161X9.^ Meyers, Jeffrey. Edgar Allan Poe: His Life and Legacy. New York: Cooper Square Press, 1992: 249. ISBN 081541038710.^ Silverman, Kenneth. Edgar A. Poe: Mournful and Never-ending Remembrance. Harper Perennial, 1991: 430. ISBN 006092331811.^ Meyers, Jeffrey. Edgar Allan Poe: His Life and Legacy. New York: Cooper Square Press, 1992: 250–251. ISBN 081541038712.^ Stashower, Daniel. The Beautiful Cigar Girl: Mary Rogers, Edgar Allan Poe, and the Invention of Murder. New York: Dutton, 2006: 280. ISBN 052594981X13.^ Kennedy, J. Gerald. "A Brief Biography," A Historical Guide to Edgar Allan Poe. New York: Oxford University Press, 2001: 58. ISBN 978019512150614.^ Meyers, Jeffrey. Edgar Allan Poe: His Life and Legacy. New York: Cooper Square Press, 1992: 251. ISBN 081541038715.^ Silverman, Kenneth. Edgar A. Poe: Mournful and Never-ending Remembrance. New York: Harper Perennial, 1991: 426. ISBN 006092331816.^ See John Evangelist Walsh's Midnight Dreary: The Mysterious Death of Edgar Allan Poe, St. Martin's Minotaur, 2000.17.^ Walsh, John Evangelist. Midnight Dreary: The Mysterious Death of Edgar Allan Poe. New York: St. Martin's Minotaur, 2000: 124. ISBN 031222732918.^ Walsh, John Evangelist. Midnight Dreary: The Mysterious Death of Edgar Allan Poe. New York: St. Martin's Minotaur, 2000: 127–128. ISBN 031222732919.^ Walsh, John Evangelist. Midnight Dreary: The Mysterious Death of Edgar Allan Poe. New York: St. Martin's Minotaur, 2000: 128. ISBN 031222732920.^ Walsh, John Evangelist. Midnight Dreary: The Mysterious Death of Edgar Allan Poe. New York: St. Martin's Minotaur, 2000: 184. ISBN 031222732921.^ Stashower, Daniel. The Beautiful Cigar Girl: Mary Rogers, Edgar Allan Poe, and the Invention of Murder. New York: Dutton, 2006: 43–44. ISBN 052594981X22.^ Silverman, Kenneth. Edgar A. Poe: Mournful and Never-ending Remembrance. New York: Harper Perennial, 1991: 426. ISBN 006092331823.^ Silverman, Kenneth. Edgar A. Poe: Mournful and Never-ending Remembrance. New York: Harper Perennial, 1991: 401. ISBN 006092331824.^ Sova, Dawn B. Edgar Allan Poe: A to Z. New York: Checkmark Books, 2001: 12. ISBN 081604161X25.^ Sova, Dawn B. Edgar Allan Poe: A to Z. New York: Checkmark Books, 2001: 193. ISBN 081604161X26.^ Thomas, Dwight and David K. Jackson. The Poe Log: A Documentary Life of Edgar Allan Poe 1809–1849. New York: G. K. Hall and Co., 1987: 81. ISBN 0783814011Elmira: The Girl Who Loved Edgar Allan Poe