Happy Birthday Roger Corman!

Roger William Corman (born April 5, 1926) is an American film producer and director. Sometimes nicknamed "King of the B-movies" for his output of B-movies (though he himself rejects this as inaccurate), Corman has mostly worked on low-budget films. Some of his work has an established critical reputation, such as his cycle of films derived from the tales of Edgar Allan Poe, and he has also won an Academy Award for his work. Corman is also an occasional actor, taking minor roles in such films as The Silence of the Lambs, The Godfather Part II, Apollo 13 and Philadelphia.

Corman has served as a mentor to many famous directors early in their careers, stressing the importance of budgeting and resourcefulness; Corman once joked he could make a film about the fall of the Roman Empire with two extras and a sagebrush.

Early life

Corman was born in Detroit, Michigan, the son of Anne and William Corman, an engineer. His brother Gene Corman has also produced numerous films, sometimes in collaboration with Roger. Roger Corman received an industrial engineering degree from Stanford University, beginning his film career in 1953 as a producer and screenwriter. Corman started directing films in 1955.

Career

In Corman's most active period, he would produce up to seven movies a year. His fastest film was perhaps The Little Shop of Horrors (1960), which was reputedly shot in two days and one night. Supposedly, he had made a bet that he could shoot an entire feature film in less than three days. Another version of the story claims that he had a set rented for a month, and finished using it with three days to spare, thus pushing him to use the set to make a new film (These claims are disputed by others who worked on the film, who have called it part of Corman's own myth-building). Although highly cost-effective, Corman's parsimonious approach to filmmaking was not without its critics; Charles B. Griffith, who wrote the original screenplay for Little Shop, later remarked that "[Corman] uses half his genius to degrade his own work, and the rest to degrade the artists who work for him."

Corman is probably best known for his filmings of various Edgar Allan Poe stories at American International Pictures, mostly in collaboration with writer/scenarist Richard Matheson, including House of Usher (1960), The Pit and the Pendulum (1961), The Premature Burial (1962), Tales of Terror (1962), The Raven (1963), The Haunted Palace (1963), The Masque of the Red Death (1964), and The Tomb of Ligeia (1964). All but The Premature Burial starred Vincent Price. After the film version of The Raven was completed, he reportedly realized he still had some shooting days left before the sets were torn down and so made another film; The Terror (1963) on the spot with the remaining cast, crew and sets.

"A Dream within a Dream" Published 1849

"A Dream Within a Dream" (1849)

by Edgar Allan Poe

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow—
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.

I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand—
How few! yet how they creep
Through my fingers to the deep,
While I weep—while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?

-- THE END --

for Orpheus. Eurydice. Hermes. And Barbara with infinite love as I falter on the road to Ithaka

"A Dream Within a Dream" is a poem written by Edgar Allan Poe, first published in 1849. The poem is 24 lines, divided into two stanzas. The poem questions the way one can distinguish between reality and fantasy, asking, "Is all that we see or seem but a dream within a dream?"

Analysis

"A Dream Within a Dream" reflects Poe's feelings about his life at the time, dramatizing his confusion in watching the important things in his life slip away.[1] Realizing he cannot hold onto even one grain of sand leads to his final question that all things are a dream.[2]

The poem references "golden sand," an image derived from the 1848 discovery of gold in California.[1]

Alternately, it may be interpreted that the "golden sand" is an allusion to the author's loved ones, and that each is inevitably swept away by death (the pitiless wave), no matter how tight a clasp the author tries to retain them with.

Publication history

The poem was first published in the March 31, 1849 edition of a Boston-based periodical called Flag of Our Union.[2] The same publication had only two weeks before first published Poe's short story "Hop-Frog." The next month, owner Frederick Gleason announced it could no longer pay for whatever articles and poems it published.

Adaptations

The Alan Parsons Project's album Tales of Mystery and Imagination opens with an instrumental homage to the poem. Its 1987 re-release included a narration by Orson Welles.

The Propaganda album A Secret Wish features the track "A dream within a dream"; the lyric of the song is this poem.

Biological Radio, the 1997 Dreadzone album, features the track "Dream Within A Dream" which quotes lines from the poem.

Britney Spears' 2001-2002 Dream Within a Dream Tour is heavily themed on the poem.

The Yardbirds' recorded a musical adaptation for their 2003 album Birdland.

The 1975 film Picnic at Hanging Rock (directed by Peter Weir) features the character Miranda reciting these lines, slightly inaccurate, from Poe's poem.

References

1.^ Silverman, Kenneth. Edgar A. Poe: Mournful and Never-ending Remembrance. New York: Harper Perennial, 1991. p. 402 ISBN 0060923318
2.^ Sova, Dawn B. Edgar Allan Poe: A to Z. New York: Checkmark Books, 2001: 73. ISBN 081604161X



Britney: Dream Within a Dream Tour 2002

Dreadzone Albums: Second Light, Biological Radio, 360°, Sound, Eye on the Horizon, Once Upon a Time