The Addams Family (TV series) 1964-1966 - Starring John Astin

The Addams Family is an American television series based on the characters in Charles Addams' New Yorker cartoons. The 30-minute series was shot in black-and-white and aired for two seasons in 64 installments on ABC from September 18, 1964 to April 8, 1966. It is often compared to its working-class rival, The Munsters, which ran for the same two seasons and achieved somewhat higher Nielsen ratings. The Addams Family ranked 23rd in its first season, with a 23.9 rating.[2] The show is the first adaptation of the characters to feature The Addams Family Theme.

It was originally produced by Filmways, Inc. at General Service Studios in Hollywood, California. Successor company MGM Television (via The Program Exchange for broadcast syndication, 20th Century Fox Home Entertainment for home video/DVD) owns the rights to the show. At one point, distribution rights were licensed to Worldvision Enterprises.

Premise

The Addamses are a close-knit extended family with decidedly macabre interests. They are humans with supernatural abilities. No explanation for their powers is explicitly given in the series.

The very wealthy, endlessly enthusiastic Gomez Addams is madly in love with his refined wife Morticia. Along with their two children, Wednesday and Pugsley, Uncle Fester and Grandmama, they reside in an ornate, gloomy, Second Empire style mansion, attended by their servants, Lurch, the towering butler, and Thing, a hand that usually appears out of a small wooden box. Occasionally, episodes would feature relatives or other members of their weird subculture, such as Cousin Itt or Morticia's older sister, Ophelia.

Much of the humor derives from their culture clash with the rest of the world. They invariably treat normal visitors with great warmth and courtesy, even though their guests often have evil intentions. They are puzzled by the horrified reactions to their (to them) good natured and normal behavior since they are under the impression that their tastes are shared by most of society. Accordingly they view "conventional" tastes with generally tolerant suspicion. For example, Fester once cites a neighboring family's meticulously maintained petunia patches as evidence that they are "nothing but riff-raff." Ironically, many of the things that the Addams family was in favor of that seemed laughable in the mid-1960s have become mainsteam. Homeschooling, protection of swamps (now Federally protected as wetlands), banning of toy guns, and banning of classic fairy tales in schools were all plotlines in the show that were comic fodder at the time. A recurring theme in the epilogue of many episodes was the Addamses getting an update on the most recent visitor to their home, either via something in the newspaper or a phone call. Invariably, as a result of their visit to the Addamses, the visitor would be institutionalized, change professions, move out of the country, or have some other negative life-changing event. The Addamses would always misinterpret the update and see it as good news for that most recent visitor.

The tone was set by series producer Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films. Perrin created story ideas, directed one episode, and rewrote every script. Much of the dialog is his (albeit uncredited). As a result, Gomez, with his sardonic remarks, backwards logic, and ever-present cigar (pulled from his breast pocket already lit), has been frequently compared to Groucho Marx. In addition, the series often employed the same type of zany satire and screwball humor seen in the Marx Brothers films. It lampooned politics ("Gomez, The Politician" and "Gomez, The People's Choice"), the legal system ("The Addams Family in Court"), Beatlemania ("Lurch, The Teenage Idol"), and Hollywood ("My Fair Cousin Itt").

Characters

Main characters

Gomez Addams (John Astin) - Gomez is passionately in love with his wife, often referring to her as "Cara Mia." His ardor is greatly intensified when she speaks French (a quirk that first appears in the eleventh episode, "The Addams Family Meet the V.I.P.s"). Before that his ardor was aroused when she called him "Bubele" a German-Bavarian, and Yiddish [3][4] word meaning "darling" or "sweetie." Gomez is very wealthy, due to owning numerous companies and stocks. He doesn't seem to regard money itself as a priority and squanders money cavalierly while remaining wealthy. Gomez spends a great deal of time with his family and does not go out to work. He refers to Spain as his "ancestral home" with his family background referenced as "Castilian," and he occasionally uses Spanish words and phrases. He can perform rapid and complicated calculations in his head. He is remarkably acrobatic and can easily dismount from a hanging position upon a chandelier.

Morticia Addams (Carolyn Jones) - Morticia is a cultivated and beautiful woman who dabbles in art, raises flesh-eating plants, and trims her roses by clipping off the buds and arranging the stems in a vase ("Oh, the thorns are lovely this year"). She can light candles with her fingertips and emit smoke directly from her person. With her aristocratic detachment, she is often the calm center of the chaotic events of the household.

Uncle Fester (Jackie Coogan) - Uncle Fester is Morticia's exuberant, kind, and electric uncle. He frequently places a lightbulb in his mouth, where it lights up. When angered by outsiders, he may grab for a blunderbuss and announce that he will shoot the offender in the back.

Lurch (Ted Cassidy) - Lurch is the household butler. Morticia and Gomez summon him by means of a bell pull in the form of a hangman's noose, which rings the massive bell located in the mansion's bell tower; the resulting gong shakes the entire house when the noose is pulled. When Lurch appears (usually immediately thereafter), he responds with a baritone "You rang?" According to IMDb, Lurch was intended to be a non-speaking part, as the Charles Addams cartoon character was silent. However, Cassidy improvised the line during his audition, and it was well received and incorporated into the show. When questions are posed to Lurch his primary response is a deep annoyed grunt, from which the family glean complex meanings. He is superhumanly strong and often plays the harpsichord (the music is actually played by The Addams Family composer Vic Mizzy). Lurch is very high-minded about visitors; when a plainclothes policeman (played by George Neise) visited the family, Lurch patted him down and regarded him suspiciously when he found his gun. Neise showed Lurch his badge, whereupon Lurch returned the gun. Lurch occasionally regards his employers' activities with some dubiousness much like a servant expressing disdain for the idle rich. Ted Cassidy made a cameo appearance as Lurch on an episode of the "Batman" TV series.

Grandmama Addams (Blossom Rock) - Mother of Gomez (who occasionally calls her "Mamacita"). She is a witch who conjures up potions, spells and hexes. She also dabbles in fortune-telling, though it is obvious that, in this respect at least, she is a charlatan. Her given name is never revealed in the series.

Wednesday Friday Addams (Lisa Loring) - Gomez and Morticia's daughter. She is the youngest member (six years old) of the family, she is a strange yet sweet-natured little girl who pursues such hobbies as raising spiders, beheading dolls (called "Marie Antoinette," "Mary Queen of Scots," and "Little Red Riding Hood"), and practicing ballet in a black tutu. Her favorite pet is a black widow spider named Homer, although she also has a lizard named Lucifer. She is strong enough to bring her father to his knees in a judo hold.

Pugsley Addams (Ken Weatherwax) - Gomez and Morticia' son and Wednesday's older brother. Kind-hearted and smart, occasionally conforming to "conventional" standards contrary to his family, he nevertheless shares a close bond with his parents and sister, the latter whom he often plays with. He also enjoys engineering various machines (sometimes with Gomez), playing with blasting caps, and his pet octopus Aristotle. Despite his pudginess, Pugsley is, like his father, exceptionally agile, able to out-climb a gorilla and hang from branches by his teeth.

Thing T. Thing - A disembodied hand that appears out of boxes and other conveniently placed containers. Thing apparently has the ability to teleport from container to container, almost instantly: Thing sometimes appears from different containers at opposite ends of the room within seconds of each other. Though Ted Cassidy would often portray Thing, assistant director Jack Voglin would often portray Thing in scenes where Lurch and Thing appear together.

Recurring characters

Cousin Itt (Felix Silla in most episodes, Roger Arroyo for two episodes) - Gomez's cousin, a short entity completely hidden by his almost head-to-floor-long hair. He speaks in rapid unintelligible gibberish which the family has no difficulty understanding (according to Felix Silla's commentary on the DVD release, the voice for Cousin Itt was recorded by a member of the crew in post-production). Gomez once asks him what is under it all; Itt answers, "Roots." In one episode, Itt is said to have "the eye of an eagle...plus a few of his own." Nevertheless, he wears conventional sunglasses, supposedly so people will not pester him for autographs.

Ophelia - Morticia's sister. Gomez was originally engaged to her in an arranged marriage, but when he saw 22-year old Morticia (dressed in a grown-up version of Wednesday's clothing), he was smitten and fell in love with her; when she spoke French, he claimed that for the first time in his life, his sinuses were cleared and his bronchitis was gone. Ophelia was played by Carolyn Jones in a blonde wig (a staple of 1960's sitcom twins). One quirk of Ophelia's is that the flower growing in her hair had roots that travelled down into her foot; another is her love of judo, with which she can hurl men (usually Gomez) several feet.

Grandma Hester Frump (Margaret Hamilton) - The mother of Morticia and Ophelia.

Mayor Arthur J. Hansen (Peter Baer) - The mayor of the town that the Addams Family live in.

Reunions

A reunion film, Halloween with the New Addams Family [5], aired on NBC in October 1977 and starred most of the original cast, except for Blossom Rock (Grandmama), who was very ill at the time and was replaced by Phyllis actress Jane Rose. The picture also featured extended family members who were created specifically for the production and never appeared in the television series, such as Gomez's brother, Pancho (played by Henry Darrow) and two additional children, Wednesday Junior and Pugsley Junior. It was originally intended for a pilot for a sequel, but no other episodes were ordered.

The interior set of the Addams mansion had previously been used for the 1972 film Ben.

Syndication

As of May 2009, the show can be purchased on iTunes, and can be streamed for free in the US on IMDB, YouTube, Hulu, and Minisodes are available on Crackle You can also watch all the series vol.1-3 on netflix.

DVD releases

MGM Home Entertainment has released The Addams Family on DVD in Region 1, 2 and 4 in three volume sets.

References

1.^ "David Levy; Producer Created 'Addams Family'". LA Times. January 31, 2000.
2.^ "The 'Addams Family' Tree". LA Times. June 9, 1991.
3.^ Yiddish Expressions
4.^ Reminiscing 'Bout Bubba and others
5.^ IMDb.com – Halloween with the New Addams Family
6.^ The Addams Family DVD news: Volume 3 date and details | TVShowsOnDVD.com
7.^ The Addams Family DVD news: *Snap* *Snap* Complete Series Announced | TVShowsOnDVD.com

The Loves of Edgar Allan Poe (1942)

The Loves of Edgar Allan Poe (1942)

Poe is played by John Shepherd (later known as Shepperd Strudwick). Stunning Linda Darnell plays Virginia Clemm. A quite young Henry Morgan (billed as Henry Morgan) aka MASH's "Colonel Potter" shows up as Ebenezer Burling

IMDB Plot Summary:

"Edgar Allan Poe led an unhappy childhood, broken only by the unceasing devotion of his foster mother, Mrs. Frances Allan, whose loving ministrations gave him courage to carry out his desire to write. His first love was Elmira Royster, and though she married another while he was at the University of Virginia, he could never purge his thoughts of her and, under the influence of her spell, he poured out the deepest passions of his heart. After a discouraging period during which he was disowned by his foster father and lost his appointment to West Point, he found the love that tamed his restless heart with Virginia Clemm. After he and Virginia married, Poe did his greatest creative work, writing for the Southern Literary Messenger and Graham's Magazine."

Plot summary written by Les Adams on IMDB.




The Strange Life And Strange Loves Of Edgar Allan Poe

Oscar Gustav Dahlberg's "The Raven"

POGDahlberg

Animated Version of Edgar Allan Poe's "The Raven"

Mr. Meep Studios

"The Raven" by Edgar Allan Poe - Animated Movie

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
'' 'Tis some visitor,'' I muttered, ''tapping at my chamber door-
Only this, and nothing more.''

Petit court métrage en hommage au magnifique poème d'Edgar Allan Poe, sur une musique du groupe Alan Persons Project, étant également un hommage au poète et à son corbeau.

Milesthefox89 - June 17, 2008

Deathday: Raven Illustrator Gustave Dore 1883

Paul Gustave Doré ( January 6, 1832 – January 23, 1883) was a French artist, engraver, illustrator and sculptor. Doré worked primarily with wood engraving and steel engraving.

Biography

Doré was born in Strasbourg and his first illustrated story was published at the age of fifteen. His skill had manifested itself even earlier, however. At age five he had been a prodigy artist, creating drawings that were mature beyond his years. Seven years later, he began carving in stone. Subsequently, as a young man, he began work as a literary illustrator in Paris, winning commissions to depict scenes from books by Rabelais, Balzac, Milton and Dante.

In 1853, Doré was asked to illustrate the works of Lord Byron. This commission was followed by additional work for British publishers, including a new illustrated English Bible. A decade later, he illustrated a French edition of Cervantes's Don Quixote, and his depictions of the knight and his squire, Sancho Panza, have become so famous that they have influenced subsequent readers, artists, and stage and film directors' ideas of the physical "look" of the two characters. Doré also illustrated an oversized edition of Edgar Allan Poe's "The Raven," an endeavor that earned him 30,000 francs from publisher Harper Brothers in 1883.

Doré's English Bible (1866) was a great success, and in 1867 Doré had a major exhibition of his work in London. This exhibition led to the foundation of the Doré Gallery in New Bond Street. In 1869, Blanchard Jerrold, the son of Douglas William Jerrold, suggested that they work together to produce a comprehensive portrait of London. Jerrold had obtained the idea from The Microcosm of London produced by Rudolph Ackermann, William Pyne, and Thomas Rowlandson in 1808. Doré signed a five-year contact with the publishers Grant Co that involved his staying in London for three months a year, and he received the vast sum of £10,000 a year for the project. Doré was mainly celebrated for his paintings in his day. His paintings remain world renowned, but his woodcuts and engravings, like those he did for Jerrold, are where he really excelled as an artist with an individual vision.

The completed book, London: A Pilgrimage, with 180 engravings, was published in 1872. It enjoyed commercial success, but the work was disliked by many contemporary critics. Some of these critics were concerned with the fact that Doré appeared to focus on the poverty that existed in parts of London. Doré was accused by the Art Journal of "inventing rather than copying." The Westminster Review claimed that "Doré gives us sketches in which the commonest, the vulgarest external features are set down." The book was a financial success, however, and Doré received commissions from other British publishers.

His later works included Coleridge's Rime of the Ancient Mariner, Milton's Paradise Lost, Tennyson's The Idylls of the King, The Works of Thomas Hood, and The Divine Comedy. His work also appeared in the Illustrated London News.

He continued to illustrate books until his death in Paris in 1883. The city's Père Lachaise Cemetery contains his grave.

Edgar Allan Poe Reads "The Raven" - Poetry Animations

Poetry Animations

Deathday: Le Corbeau Director Henri-Georges Clouzot 1977

Henri-Georges Clouzot (August 18, 1907 – January 12, 1977) was a French film director, screenwriter and producer. He is best remembered for his work in the thriller film genre, having directed The Wages of Fear and Les Diaboliques, which are critically recognized to be among the greatest films from the 1950s. Clouzot also directed documentary films, including The Mystery of Picasso, which was declared a national treasure by the government of France.

Clouzot was an early fan of the cinema and, desiring a career as a writer, moved to Paris. He was later hired by producer Adolphe Osso to work in Berlin, writing French-language versions of German films. After being fired from German studios due to his friendship with Jewish producers, Clouzot returned to France, where he spent years bedridden after contracting tuberculosis. Upon recovering, Clouzot found work in Nazi occupied France as a screenwriter for the German-owned company Continental Films. At Continental, Clouzot wrote and directed films that were very popular in France. His second film Le Corbeau drew controversy over its harsh look at provincial France and Clouzot was fired from Continental before its release. As a result of his association with Continental, Clouzot was barred by the French government from filmmaking until 1947.

After the ban was lifted, Clouzot reestablished his reputation and popularity in France during the late 1940s with successful films including Quai des Orfèvres. After the release of his comedy film Miquette et sa mère, Clouzot married Véra Gibson-Amado, who would star in his next three feature films. In the early and mid-1950s, Clouzot drew acclaim from international critics and audiences for The Wages of Fear and Diabolique. Both films would serve as source material for remakes decades later. After the release of La Vérité, Clouzot's wife Véra died of a heart attack and Clouzot's career suffered due to depression, illness and new critical views of films from the French New Wave. Clouzot's career became less active in later years, limited to a few television documentaries and two feature films in the 1960s. Clouzot wrote several unused scripts in the 1970s and died in Paris in 1977.

"The Raven" in Popular Culture: Other

Poe lived in Baltimore for a considerable time and is buried there. Residents of the city elected to honor Poe by naming their National Football League team the Baltimore Ravens after the poem. Furthermore, the three mascots for the team are three ravens, appropriately named "Edgar," "Allan" and "Poe." For many years, pre-game introductions of the Ravens' starting lineup would be preceded by a stanza from the poem, usually one which ended with the word "Nevermore," referring to the opposing team's putative inability to score when facing the powerful Raven defense. In 2000, when the Ravens were on their way to winning their first Super Bowl primarily on the strength of that record-setting defense, Chris Berman of ESPN's NFL PrimeTime would often punctuate highlights of the team's results that day by saying, "Quoth the Ravens, Never score!". Another example is the all-haiku 2008 NFL season preview of ESPN.com columnist Gregg Easterbrook (who often calls the team the "Nevermores" in his column), which reads: "Awk! No offense. Awk! / Quoth the raven: "No offense." / Bal-a-mer Ravens".

RavenCon, an annual science fiction convention in Richmond, Virginia, was named in honor of Poe, who grew up in Richmond.

The Raven is the first of three wooden roller coasters in the Holiday World theme park, which opened in 1995.

One of the most popular custom scenarios for Warcraft III: The Frozen Throne, Defense of the Ancients, contains a hero called Nevermore.

The original version of Epcot's Journey Into Imagination included an open book with the shadow of the Raven in the Tales of Terror sequence.

The Raven Society, founded in 1904, is the University of Virginia's most prestigious honor society, combining requirements of high-level scholarship, service, leadership, and "promise of further advancement in the intellectual field." New members must supply a parody of the poem for initiation, which takes place in the room where Poe lived when studying at the University, now under the curatorship of the Society. The Society also maintains several other Poe sites, including the grave marker of his mother Eliza Poe in Richmond, Virginia.

Lord Buckley recorded a "hipsemantic" version of "The Raven" in 1956 ("It was a real drugged midnight... dreary.").

Computer scientist Guy L. Steele, Jr. wrote a parody entitled "The HACTRN" about a hacker haunted by a phantom process.

Professional wrestler Raven (Scott Levy) takes his stage name from the title of the poem, and often quotes from the poem in interviews, ending with "...Quoth the Raven...Nevermore..."

The background for Games Workshop's Warhammer 40,000 miniatures wargame gives the last word spoken by Corax, Primarch of the Raven Guard Space Marine Legion, as 'Nevermore'. Corax is the Latin species name of the common raven.

The comic strip Shoe ran a strip in which a large, strange, black bird was sitting at Roz's bar, uttering random words starting with "never-" or ending in "-more" (e.g., "Livermore!"; "Nevertheless!"), when one of the regular characters announced that the raven was bombed.

The opening splash screen of the video game Eternal Darkness: Sanity's Requiem quotes: "Deep into that darkness peering, Long I stood there, Wondering... Fearing... Doubting..."

The online computer game Kingdom of Loathing includes a raven familiar which can be equipped with a "tiny bust of Pallas".

People who cannot attend Centre for the Talented Youth of Ireland (CTYI) because of their age are known as 'Nevermores'.

In the PC Game My Sims, when the user visits their own garden either alone or with friends, there will be a tree in a large empty field close to the railway station. In a tribute to the poem the tree is dark and spooky looking and has Ravens hanging off it. The Ravens can be planted or used to produce a spooky essence to the town and much like the other contents of the Garden may be taken back to the user's own town and planted.

In another PC game, Nancy Drew: Ransom of the Seven Ships, if you find pieces of paper in the bottles while sailing, they will be automatically pieced together to form a passage from "The Raven", the one just before the raven appears. Certain letters in red will tell you to go to and dive to one of the sunken ships where the sharks are, and, using the metal detector from Johnny Rolle, you will find an Easter egg. This is also a reference of the next game, Warnings at Waverly Academy, as Corine mentions that she is a Poe fan, as well as Leela having the missing Poe book, "The Black Cat and Other Stories", which includes "The Raven" and other works, as well as the pendulum challenge, a reference of "The Pit and The Pendulum, which is also in Leela's book.

In the official guide to Soulcalibur 4, a quote from "The Raven" was used to describe Tira's creepy personality.

In the game Fallout 3 (Add on Pack Point Lookout) when the character enters The Bank of Point Lookout and enters the vault room, the character will encounter a voice activated password system. After searching for the password, it is revealed that the password is "Nevermore" and the voice recording that contains the password says "Nevermore" in the same type of creepy voice that is often used when quoting this part of the Raven.

"The Raven" in Popular Culture: Music/Spoken Word

Lou Reed's 2003 album The Raven is based on Poe's work, including his own version of The Raven in a song by the same name.

The psychedelic band The Glass Prism released an album in 1969 entitled "Poe Through the Glass Prism," with the lyrics coming entirely from various poems by Poe. "The Raven" was the single from the album.

The Alan Parsons Project album Tales of Mystery and Imagination (1976) includes a song based on "The Raven" and entitled the same, but with only two verses.

A musical variation of "The Raven" was performed by the Grateful Dead during Space on April 19, 1982.

The black metal band Carpathian Forest used the first two verses of the poem for "The Eclipse / The Raven" on their EP Through Chasm, Caves and Titan Woods (1995).

The gothic metal band Tristania released a track titled "My Lost Lenore" on Widow's Weeds (1998). It is clearly inspired by this poem, but does not incorporate the poem as part of the lyrics. The entire album is in fact reminiscent of The Raven."The Ravens" is another song inspired by the poem, although its main theme is terrorism.

The German black metal band Agathodaimon quotes "The Raven" in the song "Les Posédes" on their 1999 album Higher Art of Rebellion.

A song based on "The Raven" appears on the Grave Digger album The Grave Digger (2003), alongside other songs based on the work of Edgar Allan Poe.

The song Kremlin Dusk, from Japanese pop star Utada Hikaru's English-language album Exodus (2004), begins "All along, I was searching for my Lenore/In the words of Mr. Edgar Allan Poe/Now I'm sober and "Nevermore"/Will the Raven come to bother me at home." It also refers to the "dying ember" line in the poem.

Seattle, Washington metal band Nevermore got its name from the repeated refrain in "The Raven". The band also referenced it in the title track from their 2005 album This Godless Endeavor.

The Dutch neoceltic pagan folk band Omnia put a slightly edited version of the poem to music as the second track on their 2007 album Alive!.

The American gothic horror band Nox Arcana released a CD entitled Shadow of the Raven in 2007. Three songs—"Midnight Dreary", "The Raven" and "Nevermore"—as well as the album's title, are direct references to the poem.

The German symphonic metal band Xandria included the quote "Thus spoke the raven, 'Nevermore'" in their song Ravenheart, which is inspired by the poem as well..

The Christian third-wave ska band Five Iron Frenzy quotes many of Poe's lines in "That's How The Story Ends", from The End Is Near, and alludes ironically to the mysterious and somber mood of "The Raven".

The song "Campanas en la Noche" ("Bells in the Night") by the Argentine rock band Los Tipitos, the tale of a man wishing for the return of his lover, is loosely based on the poem. This relationship is even more evident in the song's video, which features the bust of Pallas and the titular raven itself.

Rapper MC Lars released the track "Mr. Raven" on The Laptop EP, quoting some lines directly from the poem and modifying others (e.g. "Once upon a midnight dreary, while I kicked it weak and weary").
The song "Run-Around" by Blues Traveler begins, "Once upon a midnight deary...", a reference to the opening of The Raven.

The extreme metal band, Cradle of Filth, has quoted the poem in their song entitled "An Enemy Led the Tempest".

The Canadian artist Nash the Slash included an instrumental track called "Lost Lenore" on his vinyl album The Million Year Picnic.

Jean Sibelius allegedly based an early conception of his fourth symphony on "The Raven".

The Devil Wears Prada used a track of a man reading a part of "The Raven" as a part of an introduction to concerts during a 2008 tour with Underoath. The piece led into the ending breakdown in the song "Goats on a Boat."

The Dutch based hardstyle artist DJ Pavo released a track entitled "Raven", which quotes various lines from the poem.

Buddy Morrow and His Orchestra recorded an album of songs based on Poe's works. The album, "Poe for Moderns," includes a condensed, jazzy version of "The Raven."

The hip hop group CYNE included a track called "The Raven" on their 2009 album Water for Mars. The group paraphrases Poe's famous line in a few cynical lines (e.g. "Nevermore said the raven, goodbye to innocence").

"The Raven" in Popular Culture: Film

"The Raven" was recreated as a hallucination of Poe's in the 1915 silent film The Raven. A fictionalized biography, it starred Henry B. Walthall as Poe.

The 1935 film The Raven has Bela Lugosi as a Poe-obsessed doctor and costars Boris Karloff. The film has a interpretive dance of "The Raven."

In 1942, Fleischer Studios created a two-reel Technicolor cartoon based upon "The Raven" which turned the story of the poem into a lighthearted comedy.

A Bugs Bunny cartoon has Bugs reading a few lines from the poem, starting with the words, "While I nodded nearly napping."

In 1963, Roger Corman directed The Raven, a comedy very loosely based on the poem.

In the 1967 stop-motion film Mad Monster Party, Baron von Frankenstein tests his new potion on a raven, and lets it fly until it lands on a tree branch. Watching the resulting explosion, he says with a chuckle, "Quoth the raven... nevermore. Ah, I've done it -- created the means to destroy matter!"

The stop-motion short film Vincent (1982), by Tim Burton, features a protagonist named Vincent Malloy, whose "favorite author is Edgar Allan Poe." As Vincent lies, seemingly dying, at the end of the film, he quotes the final couplet of "The Raven."

In the 1983 film The Dead Zone, Christopher Walken (as a school teacher Johnny Smith) quotes "The Raven" to his class during a lesson.

In the 1989 film Batman, Jack Nicholson (as The Joker) quotes "The Raven" to Kim Basinger's Vicky Vale when he says, "Take thy beak from out my heart."

Hannes Rall directed an animated, German-language version of The Raven (Der Rabe) in 1998.

A Spanish short film, with English dialogues, directed by Tinieblas González appeared in 1999.

The poem was translated to film by Trilobite Pictures and director Peter Bradley in 2003. The short film was released on DVD in 2005 by Lurker Films.

In the 1994 film The Crow, Eric, the tragic main character, references "The Raven" before blowing up Gideon's pawn shop: "Suddenly, I heard a tapping, as of someone gently rapping, rapping at my chamber door. You heard me rapping, right?"

In the 1994 film The Pagemaster, when Richard Tyler is visiting the land of horror and enters Dr. Jekyll/Mr. Hyde's mansion, a raven swoops down next to them and screeches the word, 'nevermore'.

The film Nightmares from the Mind of Poe (2006) adapts "The Raven" along with three Poe short stories: "The Tell-Tale Heart," "The Cask of Amontillado" and "The Premature Burial".

The poem was referenced in the 2002 film "Finding Forrester", which starred Sean Connery. The film was discussed in the protagonist Jumal's English class.

In the 2005 film The Crow: Wicked Prayer the third sequel to The Crow, during the final battle between Jimmy and Luc, Jimmy tauntingly shouts "Quoth the raven nevermore, motherfucker!"

In the 2010 film The Expendables, numerous references are made to ravens and, obliquely, to "The Raven." The character played by Sylvester Stallone is in the process of getting a tattoo completed which features a raven, and the sea-plane which his team travels in also features an oversize picture of a raven.

John Cusack as Edgar Poe

Deathday: Author & Poet Oscar Wilde 1900

Oscar Fingal O'Flahertie Wills Wilde (16 October 1854 – 30 November 1900) was an Irish writer, poet, and prominent aesthete; who, after writing in different forms throughout the 1880s, became one of London's most popular playwrights in the early 1890s. Today he is remembered for his epigrams, plays and the tragedy of his imprisonment and early death.

Wilde's parents were successful Dublin intellectuals, and from an early age he was tutored at home, where he showed his intelligence, becoming fluent in French and German. He attended boarding school for six years, then matriculated to university at seventeen years of age. Reading Greats, Wilde proved himself to be an outstanding classicist, first at Dublin, then at Oxford. His intellectual horizons were broad: he was deeply interested in the rising philosophy of aestheticism (led by two of his tutors, Walter Pater and John Ruskin) though he also profoundly explored Roman Catholicism and finally converted on his deathbed.

After university Wilde moved to London, into fashionable cultural and social circles. As a spokesman for aestheticism, he tried his hand at various literary activities: he published a book of poems, lectured America and Canada on the new "English Renaissance in Art," and returned to London to work prolifically as a journalist for four years. Known for his biting wit, flamboyant dress, and glittering conversation, Wilde was one of the best known personalities of his day. At the turn of the 1890s, he refined his ideas about the supremacy of art in a series of dialogues and essays; though it was his only novel, The Picture of Dorian Gray, which brought him more lasting recognition. The opportunity to construct aesthetic details precisely, combined with larger social themes, drew Wilde to writing drama. He wrote Salome in French in Paris in 1891, but it was refused a licence. Unperturbed, Wilde produced four society comedies in the early 1890s, which made him one of the most successful playwrights of late Victorian London.

At the height of his fame and success—his masterpiece, The Importance of Being Earnest, was still on stage in London—Wilde sued his lover's father for libel. After a series of trials, Wilde was convicted of gross indecency with other men and imprisoned for two years, held to hard labour. In prison he wrote De Profundis, a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. Upon his release he left immediately for France, never to return to Ireland or Britain. There he wrote his last work, The Ballad of Reading Gaol, a long poem commemorating the harsh rhythms of prison life. He died destitute in Paris at the age of forty-six.

Death

By 25 November Wilde had developed cerebral meningitis and was injected with morphine, his mind wandering during those periods when he regained consciousness. Robbie Ross arrived on 29 November and sent for a priest, and Wilde was conditionally baptised into the Catholic Church by Fr Cuthbert Dunne, a Passionist priest from Dublin (the sacrament being conditional because of the doctrine that one may only be baptised once — Wilde having a recollection of Catholic baptism as child, a fact later attested to by the minister of the sacrament, Fr. Lawrence Fox). Fr Dunne recorded the baptism:

As the voiture rolled through the dark streets that wintry night, the sad story of Oscar Wilde was in part repeated to me....Robert Ross knelt by the bedside, assisting me as best he could while I administered conditional baptism, and afterwards answering the responses while I gave Extreme Unction to the prostrate man and recited the prayers for the dying. As the man was in a semi-comatose condition, I did not venture to administer the Holy Viaticum; still I must add that he could be roused and was roused from this state in my presence. When roused, he gave signs of being inwardly conscious… Indeed I was fully satisfied that he understood me when told that I was about to receive him into the Catholic Church and gave him the Last Sacraments… And when I repeated close to his ear the Holy Names, the Acts of Contrition, Faith, Hope and Charity, with acts of humble resignation to the Will of God, he tried all through to say the words after me.
Wilde had flirted with the Church all his life, expressing his intention to convert a number of times including a discussion with a journalist after his release from custody about his romance with the Church, "I intend to be received before long."

Wilde died of cerebral meningitis on November 30, 1900. Different opinions are given as to the cause of the meningitis; Richard Ellmann claimed it was syphilitic; Merlin Holland, Wilde's grandson, thought this to be a misconception, noting that Wilde's meningitis followed a surgical intervention, perhaps a mastoidectomy; Wilde's physicians, Dr. Paul Cleiss and A'Court Tucker, reported that the condition stemmed from an old suppuration of the right ear (une ancienne suppuration de l'oreille droite d'ailleurs en traitement depuis plusieurs années) and did not allude to syphilis.

Wilde was initially buried in the Cimetière de Bagneux outside Paris; in 1909 his remains were disinterred to Père Lachaise Cemetery, inside the city. His tomb was designed by Sir Jacob Epstein, commissioned by Robert Ross, who asked for a small compartment to be made for his own ashes which were duly transferred in 1950. The modernist angel depicted as a relief on the tomb was originally complete with male genitalia which have since been vandalised; their current whereabouts are unknown. In 2000, Leon Johnson, a multimedia artist, installed a silver prosthesis to replace them.

The epitaph is a verse from The Ballad of Reading Gaol:

And alien tears will fill for him

Pity's long-broken urn,

For his mourners will be outcast men,

And outcasts always mourn.