Showing posts with label Amy Winehouse. Show all posts
Showing posts with label Amy Winehouse. Show all posts

Tuesday, August 26, 2008

Victory Is Ours!

Sometimes blogging feels like a meaningless exercise, a futile, insignificant self-indulgence, read by few and cared about by even fewer, absurd, trivial, unnecessary, fruitless. No fruit for Shades Of Caruso. Thank the benevolent constellations for moments like these, then, when we find evidence – concrete evidence – that all this isn’t just pointless gratification. The world reads; the world understands; the world takes action.

In February this year, I reviewed Heat magazine, the publication that arguably triggered the explosion in celebrity culture in the UK as it exists today. While generally in favour of the magazine’s attitude towards famous people, its readers and itself, I highlighted one or two aspects of Heat that were not so likeable, and suggested that these were responsible for its reputation as a force for social destruction and source of negative body image issues. The Circle Of Shame section was one such.


It’s unsettling the way Heat seems to relish identifying all the tiniest celebrity flaws and mistakes and foibles in this section. This is a fairly tame instalment, but the mag still finds time to rag on Eva Mendes for wearing – gasp! – a white bra under a black top and Serena Williams for having – no! – a perceptible sweat patch (an athlete!). Some of them are just ridiculous – a picture of Kelly Brook with one sunglass lens missing and evidently giggling about how silly it looks has zero to do with shame – but it’s easy to perceive an undercurrent of malice in all these pictures, a desperation to point out that not only are celebrities flawed just like us, they’re risible, moronic creatures who don’t know how to dress themselves.

I think it’s the use of the adjective “shame” that I object to most. Most of the mockery in the mag is lighthearted, superficial, harmless – but describing these trifling gaffes as sources of shame suggests contempt, disgust, even humiliation. The editorial line would no doubt be that readers lap this sort of thing up, and they’re just giving their audience what it wants. If Heat didn’t give the readers these pictures, would readers be calling and emailing demanding to see celebrities called out and shamed? Although one of the less vicious editions, this is still unpleasant, and it sits uneasily alongside the soft ribbing found elsewhere in the mag.

... [T]here’s an overall sense of fun that runs through the whole mag, and it certainly doesn’t leave the sour taste that reading, say, the Daily Mail does. The disagreeable Circle Of Shame is the exception to the general rule. Perhaps Heat would do well to quietly ditch it.


In calling for this action, I naturally assumed I was just shouting into an abyss, with no hope of ever being heard. But I recently picked up a copy of Heat again and was astonished at what I found.




Readers, Circle Of Shame has been quietly ditched! Granted, the essence of the concept has not disappeared – Heat is still gleefully pointing out celebrities’ shortcomings and sniggering behind its hand – but the part to which I objected most strongly, the ludicrously harsh term “shame”, has been dropped. (By the way, I am pretending that I did not describe said noun as an adjective in my previous post, and I’m sure you’re happy to do the same.) The feature has also shrunk in length by a third and, although I don’t have the issue I originally critiqued to hand, I believe the point size of the captions has decreased as well. These now seem almost hesitant, as if distancing themselves from the previous, “shaming” incarnation of the feature. They didn’t mean it. They’re sorry. It’s just a bit of fun.

Hoop Of Horror is far more appropriate, a silly bit of obvious hyperbole – no-one is actually horrified by anything on these pages, least of all Amy Winehouse with some white powder around her nose – and fits much better with the mag’s tone. Naturally, though, the best thing about the change is that it is clearly a direct response to Shades Of Caruso’s criticisms. Heat didn’t want to remove the feature altogether, so closely is it identified with the magazine’s brand, but it has excised the nauseatingly judgmental aspect of it, and reined in its shrieky excesses. Well done, Heat. And thank you.

Of course, the truly great thing about blogging on an occasion such as this is that I can blithely assume that someone in Heat’s Very Important Decision-Making Department read my blog, choked on his cigar smoke, underwent a combination of a moment of clarity and a crisis of conscience, and passed an edict to the editorial staff insisting that they come up with an alternative toute de fricking suite. If I was any sort of conscientious professional journalist, I’d have to phone up Heat and try to ferret out the reason why the offending section was altered – if, say, it was a decision from the outgoing editor Mark Frith, who stepped down earlier this year, or the first action taken by new editor Julian Linley (who takes over officially in September), trying to put his mark on the mag. Or indeed if it was summarily demanded by the stereotypical cigar-chomping executive I invented a couple of sentences ago. But the happy fact – or as we bloggers say to make things truer, FACT – is that it was all down to Shades Of Caruso. We did it. We were the agent of change. We made a difference. And the world will never be the same again.

Unrelated media news factoid of the day: Heat’s circulation dropped 15.8 per cent year-on-year in the recently announced magazine sales figures for the first half of 2008.

Friday, August 31, 2007

Things I learnt today (Sept 1st, 2007)

1. Brian De Palma, having hammered what I thought was the final nail into the coffin of his career with the downright peculiar Black Dahlia, seems to have been working undercover on what can only be described as Casualties of the Blair Witch War Project. Redacted is a based-on-truth story of a group of US soldiers committing terrible atrocities in Iraq, while one of their group films it. And no, Sean Penn and Michael J. Fox aren't in it. I've heard very little about it until now, and I wonder how under-the-radar De Palma had to be to get it done. It sounds harrowing, and is getting rave notices, so I can't wait to see it, but mainly I'm interested for two reasons. 1) Nostalgic regard for De Palma, and then hope that he would surprise the film world once more, and 2) the word "redacted". I don't know why, but I love it. Redacted. Re. Dack. Ted. Hmmmm.

2. Sam Leith, Telegraph columnist, has always come across as a bit of a Tory Boy, and I'll admit that I came to that conclusion mostly because of the paper he writes for, as well as the byline photo and the occasional not-as-left-leaning-as-me comment piece. I've nothing against him, of course, and have even enjoyed many of his columns. I'd even go so far as to say he's my favourite writer on the paper, but that never changed my mental image of him as someone who spent his time at university punting down a canal, drinking lots of Pimms, getting jolly excited about the rugby, and being vaguely fearful of the modern world with all of its gidgets and Frankenwater and rocket-scooters, what what. Well, it shows what an ass I am. Turns out he's a huge World of Warcraft fan, something that even I'm not (though I'd like to be one). So I'm somehow more technophobic than a Telegraph columnist. This worries me greatly.

3. At last! Andrew Mueller has not written a bizarrely histrionic puff piece for the risible Studio 60. Huzzah! Perhaps he has seen sense. Or maybe he's just waiting to surprise everyone next week, as the very slender plot of the John Goodman two-parter gets stretched to breaking point after a first part that has every line of dialogue repeated twice to pad the damn thing out to 45 minutes. Or perhaps the TV preview writer in the Telegraph (Simon Horsford) has taken up the cause.

The more I watch Aaron Sorkin's series, the more I scratch my head and wonder why it was dropped by American network NBC after just one season. It's getting seriously good - and funny, too. When Tom is arrested on an assault charge and winds up in Nevada, he faces a judge (played by the brilliant John Goodman) who hates the show and everything it stands for.


I know I should let this drop, but dear God, only when the damn thing is over. Only about 18 weeks to go...

4. Following on from Canyon's recap of Walk The Line, the Daily Mail featured a piece on Johnny and June Carter Cash. It was one of their obnoxious revelatory articles dredged from the pages of a sleazy biography, though this one was by their son, John. However, in the opening paragraph, Glenys Roberts says that Johnny Cash had a "deep brown voice". Whuh? Is voice coloured? Can noise have a hue? Or does the Mail employ a lot of really shitty writers? I'll let you figure that one out yourself.

5. The Mercury Music Prize is this week, which has caught me out. Go Amy! Or should I be hoping she loses, for her sake? Oh, the moral quandary I am in. At least I don't have to worry about my feelings about the Arctic Monkeys. Lose, you little hoodie freaks. LOSE! LOSE A LOT!

6. The first season of Rome is being repeated on UKTV History this week. I believe the word is, "Score!"