The 2010 Cannes Film Festival in Posters, Round 1

With the 63rd annual Cannes Film Festival beginning shortly, I decided to unveil the posters for the films playing (in all the sections) that I've come across so far. Though I didn't find a poster for it, Ken Loach's Route Irish, a film dealing with the British's involvement in Iraq, was added to the competition line-up, making the grand total of films in competition nineteen; ten of which (Biutiful, Burnt by the Sun 2, Copie conforme, The Housemaid, Des hommes et des dieux, Outrage, Poetry, Un homme qui crie, La nostra vita and Tournée) I did find posters for. In total, there's 26 in this round (I had more before realizing they were just cover sheets for the press booklets), including a collage of posters for Im Sang-soo's The Housemaid and Xavier Dolan's Les amours imaginaires. The rest: Abel, Alting bliver godt igen, Blue Valentine, Carancho, Copacabana, Draquila - L'Italia che trema, Illégal, L'autre monde, Año bisiesto, Life, Above All, Petit tailleur, Rubber, Film socialisme, Somos lo que hay and Wall Street 2.

Cannes Line-Up 2010

The films have been announced, and while my suspicions yesterday were premature, I suppose the absence of Béla Tarr's latest is the only real surprise (granted it was going to be hard to surprise me as I wasn't following what was expected to be showing this year). In the Competition line-up, Mike Leigh and Abbas Kiarostami are the only former Palme d'Or winners, but many other previous award recipients, such as Alejandro González Iñárritu, Nikita Mikhalkov, Bertrand Tavernier and Apichatpong Weerasethakul, will be presenting their films. New films from Jean-Luc Godard, Manoel de Oliveira, Lodge Kerrigan, Hong Sang-soo, Radu Muntean, Cristi Puiu and one of last year's big winners Xavier Dolan will be shown in the Un Certain Regard section, and the latest from Woody Allen, Stephen Frears, Oliver Stone and Gregg Araki will also be shown out of competition. The line-ups are below.

Another Year, d. Mike Leigh, UK, w. Jim Broadbent, Imelda Staunton
Biutiful, d. Alejandro González Iñárritu, USA, w. Javier Bardem, Blanca Portillo
Burnt by the Sun 2, d. Nikita Mikhalkov, Russia
Copie conforme [Certified Copy], d. Abbas Kiarostami, Iran/France/Italy, w. Juliette Binoche
Des hommes et des dieux [Of Gods and Men], d. Xavier Beauvois (Le petit lieutenant), France, w. Lambert Wilson, Michael Lonsdale, Roschdy Zem
Fair Game, d. Doug Liman, USA, w. Naomi Watts, Sean Penn
Hors-la-loi [Outside the Law] d. Rachid Bouchareb (Days of Glory), France/Algeria/Belgium, w. Jamel Debbouze, Roschy Zem, Sami Bouajila
Housemaid, d. Im Sang-soo (The President's Last Bang), South Korea
La nostra vita, d. Daniele Luchetti (My Brother Is an Only Child), Italy, w. Raoul Bova, Elio Germano, Riccardo Scamarcio
Outrage, d. Takeshi Kitano, Japan, w. Kitano, Jun Kunimura
Poetry, d. Lee Chang-dong (Oasis), South Korea
La princesse de Montpensier, d. Bertrand Tavernier, France/Germany, w. Gaspard Ulliel, Lambert Wilson
Tournée, d. Mathieu Amalric, France, w. Amalric, Damien Odoul
Un homme qui crie [A Screaming Man], d. Mahamat-Saleh Haroun (Abouna), Chad
Uncle Boonmee Who Can Recall His Past Lives, d. Apichatpong Weerasethakul, Thailand
You. My Joy, d. Sergei Loznitsa (Revue), Ukraine

Un Certain Regard

Les amours imaginaires [Heartbeats], d. Xavier Dolan, Canada, w. Dolan
Aurora, d. Cristi Puiu (The Death of Mr. Lăzărescu), Romania, w. Puiu
Blue Valentine, d. Derek Cianfrance, USA, w. Ryan Gosling, Michelle Williams
Chatroom, d. Hideo Nakata (Dark Water), UK
Chongqing Blues, d. Wang Xiaoshuai (Beijing Bicycle), China
O Estranho Caso de Angélica [The Strange Case of Angelica], d. Manoel de Oliveira, Portugal
Film socialisme, d. Jean-Luc Godard, Switzerland/France, w. Patti Smith
Life Above All, d. Oliver Schmitz (Paris je t'aime)
Los labios, d. Ivan Fund, Santiago Loza, Argentina
Ha Ha Ha, d. Hong Sang-soo, South Korea
Marţi, după Crăciun [Tuesday, After Christmas], d. Radu Muntean (Boogie), Romania, w. Dragos Bucur
Octubre, d. Daniel Vega
Pál Andrienn [Adrienn Pál], d. Ágnes Kocsis (Fresh Air), Hungary/Netherlands/France/Austria, w. Éva Gábor
R U There, d. David Verbeek (Shanghai Trance), Taiwan
Rebecca H. (Return to the Dogs), d. Lodge Kerrigan, USA
Simon Werner a disparu..., d. Fabrice Gobert
Udaan, d. Vikramaditya Motwane, India
Unter dir die Stadt [The City Below], d. Christoph Hochhäusler (I Am Guilty), Germany

Out of Competition

Tamara Drewe, d. Stephen Frears, UK
Wall Street: Money Never Sleeps, d. Oliver Stone, USA, w. Michael Douglas, Shia LaBoeuf, Carey Mulligan, Josh Brolin, Charlie Sheen, Susan Sarandon, Frank Langella, Vanessa Ferlito
You Will Meet a Tall Dark Stranger, d. Woody Allen, USA/Spain, w. Naomi Watts, Josh Brolin, Antonio Banderas, Anthony Hopkins

Midnight

L'autre monde [Blackhole], d. Gilles Marchand (Who Killed Bambi?), France, w. Grégoire Leprince-Ringuet, Melvil Poupaud
Kaboom, d. Gregg Araki, USA/France, w. James Duval, Roxane Mesquida, Kelly Lynch

Special Screenings

Abel, d. Diego Luna, Mexico
Chantrapas, d. Otar Iosseliani
Draquila - l'italia che trema, d. Sabina Guzzanti, Italy
Inside Job, d. Charles Ferguson
Nostalgia de la luz [Nostalgia for the Light], d. Patricio Guzmán, France
Over Your Cities Grass Will Grow, d. Sophie Fiennes (The Pervert's Guide to Cinema), Netherlands

Assayas, Godard, Lumet and Lee on Criterion's April Schedule

Criterion announced their April titles this afternoon, with DVD and Blu-ray for Olivier Assayas' Summer Hours [L'heure d'été], Jean-Luc Godard's Vivre sa vie and Ang Lee's director's cut of Ride with the Devil. Sidney Lumet's The Fugitive Kind, with Marlon Brando, Anna Magnani, Joanne Woodward and Maureen Stapleton, will also be available on DVD only. In addition to the mainline releases, the fifth volume of their Essential Art House Collection will be released, with the Region 1 debut of Gillo Pontecorvo's Kapò. The other five titles are Fellini's 8½, David Lean's Brief Encounter, Ozu's Floating Weeds, Truffaut's Jules et Jim and Miloš Forman's Loves of a Blonde.

All My Friends: Millennium Mambo, Take 1: Jason Huettner

Jason and I established a cyberspace amity based on two great mutual obsessions: PJ Harvey and queer cinema. He's my go-to man when it comes to PJ news and rumors, a job of no small importance for someone like me. He currently resides in New York City. I'm happy to have Jason as the first entry in this series. Neither of his lists are in preferential order.

On Music: "I hate lists that are aimed at developing some kind of consensus about art. Here are ten albums, in no particular order, released in the 00's that are essential to my 00's experience. This list isn't definitive at all (plenty of other 00's albums that I love).. but all are quality and have sentimental value. The music speaks for itself."

Life Without Buildings - Any Other City (DCBaltimore2012, 2001)
Diamanda Galás - Guilty, Guilty, Guilty (Mute, 2008)
Various Artists - Give Me Love: Songs of the Brokenhearted - Baghdad, 1925-1929 (Honest Jon's, 2008)
Scott Walker - The Drift (4AD, 2006)
Mayyors - Deads 12" (self-released, 2009)
A Frames - "1" (S-S Records, 2002)
Quasimoto - The Unseen (Stones Throw, 2000)
Stars of the Lid - And Their Refinement of the Decline (Kranky, 2007)
The Thing (with Joe McPhee) - She Knows... (Smalltown Superjazz, 2002)
Power Douglas - Pentecostal Fangbread (FiveSix Media, 2008)

On Film: "Again, sentimentality plays a big part here. Picking just ten is hard. I am prone to alarming lapses of taste in films."

Bad Education [La mala educación], 2004, d. Pedro Almodóvar, Spain
Brick, 2005, d. Rian Johnson, USA
Children of Men, 2006, d. Alfonso Cuarón, UK/USA/Japan
Dancer in the Dark, 2000, d. Lars von Trier, Denmark/Netherlands/Germany/France/USA/UK/Sweden/Finland/Iceland/Norway
Eastern Promises, 2007, d. David Cronenberg, UK/Canada
O Fantasma, 2000, d. João Pedro Rodrigues, Portugal
Mulholland Drive, 2001, d. David Lynch, France/USA
Notre musique, 2004, d. Jean-Luc Godard, France/Switzerland
Pan's Labyrinth [El laberinto del Fauno], 2006, d. Guillermo del Toro, Mexico/Spain/USA
The Proposition, 2005, d. John Hillcoat, Australia/UK
The Raspberry Reich, 2004, d. Bruce LaBruce, Germany/Canada
The Royal Tenenbaums, 2001, d. Wes Anderson, USA
Strange Circus, 2005, d. Sion Sono, Japan
There Will Be Blood, 2007, d. Paul Thomas Anderson, USA
Waltz with Bashir, 2008, d. Ari Folman, Israel/Germany/France/USA

Ran and Contempt on Blu-ray in February

After both Criterion Blu-ray editions of Akira Kurosawa's Ran and Jean-Luc Godard's Contempt [Le mépris] were canceled, many (myself) included suspected that it was the evil doings of The Weinstein Company, who own, presumably, the Wellspring catalogue... but in fact, it looks as it if was Studio Canal, who already released the Blu-rays in the UK, France and Germany. Well through Lionsgate, Studio Canal has announced both films on Blu-ray in the US for 16 February, in addition to Alexander Mackenrick's The Ladykillers. We'll see if any of the other films Studio Canal has released overseas, including Joseph Losey's The Go-Between, Luis Buñuel's Belle de jour and David Lynch's The Elephant Man will show up as well. I'd imagine that if Studio Canal owned the worldwide rights to some of their other releases in Europe (Breathless, Pierrot le fou, Last Year at Marienbad and The Lost Honor of Katharina Blum), their US discs would have gone out-of-print like Criterion's releases of Contempt and Ran already did.

Attention Saint Louis Area Cine- and/or Francophiles

Cinema St. Louis and Washington University's Program in Film and Media Studies are presenting their first French Film Festival this coming weekend, 28-30 August. Screening this year are Rialto's restored prints of Jean-Luc Godard's Made in U.S.A. and Max Ophüls' Lola Montès, as well as a trio of contemporary films: Phlippe Ramos' Captain Ahab [Capitaine Achab], with Denis Lavant, Jacques Bonnaffé, Dominique Blanc, Jean-François Stévenin and Lou Castel; Serge Bozon's La France, with Sylvie Testud and Pascal Greggory; and Pascal Thomas' Towards Zero [L'heure zéro], with François Morel, Danielle Darrieux, Chiara Mastroianni, Melvil Poupaud and Laura Smet. For full descriptions of the films, as well as screening times (they will all play at Washington University's Brown Hall Auditorium), check out Cinema St. Louis' website.

September Criterions and Other Upcoming DVD Releases

On the surface, September would seem to be a disappointing month for Criterion, with only two official releases, David Mamet's Homicide and Alexander Korda's That Hamilton Woman (on a side note, I think Criterion should really give Korda a rest, as their staff must include the world's only Korda fanboys). However, they also announced a Blu-ray of Jean-Luc Godard's Pierrot le fou, in addition to The Complete Monterey Pop Festival. And, similar to their release of Henry Cass' Last Holiday this past Tuesday, they're releasing Réné Clément's Gervaise, Marcel Carné's Le jour se lève and Anatole Litvak's Mayerling, with Danielle Darrieux and Charles Boyer, for the first time on DVD in the US as part of their Essential Art House Collection. Volume 4 of this set also includes Akira Kurosawa's Throne of Blood, Alfred Hitchcock's The 39 Steps and Michael Powell and Emeric Pressburger's Tales of Hoffman; all six are available separately as well. I thought a prominent New York newspaper said Wim Wenders' Wings of Desire was coming in September as well, but if it is, they haven't announced it officially.

Sony will be releasing Gregor Jordan's adaptation of Bret Easton Ellis' The Informers on DVD and Blu-ray on 25 August. The film's box office failure may have been one of the contributing factors to its distribution company Senator's shutting down, which came about last week; it's also worth noting that The Informers was first (and last) release from them, leaving a number of other films like the two Mesrine films in limbo. Season 3 of 30 Rock, in my opinion the best yet, will be out on 22 September from Universal; Salma Hayek, Jon Hamm, Oprah Winfrey and Alan Alda make memorable guest appearances throughout the season.

Sony announced Carlos Cuarón's Rudo & Cursi on DVD and Blu-ray for 25 August. Strand will be releasing Veiko Õunpuu's Sügisball on 22 September and Yôji Yamada's Kabei: Our Mother on the 8th. And finally, Sony will also release Steven Sodebergh's sex, lies and videotape on Blu-ray on 25 August. More catch-up soon!

Game Review - The Darjeeling Limited

As gaming technology progresses ever closer to full immersion, with HD graphics and motion recognition tech like Microsoft's Project Natal pushing the boundaries of what games can represent, we have seen an explosion in abstract gaming genres, more concerned with telling convoluted and compelling narratives than merely giving the player an avatar to guide through a series of environments. This attempt to match established storytelling media such as books and films might be misguided. Arguably, games can do certain things that other media cannot, so why not continue to do those things instead of trying to imitate old media like movies? However, this has not dissuaded games developers, and the latest release from game developer Wes Anderson, in association with Tweesoft Games, is a notable progression in this abstract-narrative sub-genre.


The Darjeeling Limited is Anderson's first project since the critical failure of his first-person shooter / marine exploration simulator The Life Aquatic With Steve Zissou. After sales failed to materialise, Anderson split from long-time collaborators RagnarokRain, a move that shocked the gaming community. The success of their previous games -- Rushmore and The Royal Tenenbaums -- cemented their reputation as purveyors of eccentric gaming experiences, with Anderson's fertile mind served by RagnarokRain's incredible coding prowess.

Nevertheless, it was risky to change their style from increasingly complex Sims-style strategy game -- with Rushmore allowing you to manage Max Fischer's career at school, and The Royal Tenenbaums expanding your responsibilities to controlling a large family in a New York brownstone -- to a peculiar cross-breed of other genres. Regrettably their gamble failed terribly. The character of Steve Zissou was promoted as being the next Master Chief or Gordon Freeman but, with the traditional macho couture of the first person hero abandoned in favour of a wetsuit and red bobble hat, Zissou failed to convince. To make things worse, the underwater sections were poorly designed and overlong, until eventually fatigue set in for most players, ditching the game before completing the fabled Jaguar Shark Forgiveness achievement. Not long after the game was released, it was Anderson who ditched RagnarokRain.

Following the acrimonious split, RagnarokRain's head project developer Colt Wendell moved on to collaborating with French game desginer Jean-Luc Godard on the heavily guarded project Weekend. Godard has confounded expectation in the past, which is a reassuring thought to hold onto after initial rumour hinted that it was merely some form of 2-D side-scrolling driving game. Anderson, meanwhile, teamed up with Tweesoft Games, in a move that surprised all of us. Tweesoft's projects to date have been the amusing on-rails shooter Snakes on a Plane, which featured infamous voicework from Samuel L. Jackson, and the diverting Singstar-esque Hustle and Flow. Though those games sold well, neither hinted that Tweesoft was a good match for the ground-breaking intellectualism of Anderson.

Thankfully, for the most part, The Darjeeling Limited is a return to form for Anderson, and a notable leap for Tweesoft after the choppiness of their previous projects. The player takes control of three self-obsessed brothers -- Francis, Peter and Jack Whitman -- as they search India for their estranged mother in order to connect with her following the death of their father. The majority of the game takes place on the train of the title, switching from first-person to third-person and back again, as you interact with a selection of beautifully written NPCs, with occasional excursions off the train providing some much needed variety. These adventures usually end with a mad dash, either on foot or by taxi, with a countdown clicking off the time until the train departs. Though most of the game is leisurely, these sections definitely get the pulse racing. (Click on screen grabs for greater detail.)


As you progress through the game, your primary goal is to monitor two variables: Frustration With Brothers and Obliviousness To Others, both measured as percentages. The first measurement must be kept as low as possible, a task hindered by the insufferable selfishness of all of the main characters. As you hop from brother to brother, you see terrible behaviour from each of them, bringing that frustration level to the boil several times. Only by acquiescing to their neediness will your frustration level drop, but this will stop you from progressing through the game, meaning you have to balance your frustration, and your efforts to bring your siblings closer, with the need to get to your mother's abbey to reconcile with her. If you fail to keep your frustration tempered, and the percentage counter goes past 90%, the game momentarily changes to a first-person shooter mode, with your currently controlled character attempting to incapacitate the other two brothers using pepper spray.


The second measurement, Obliviousness To Others, has to remain high. Any other gaming designer would require you to keep that level low, but this appears to be Anderson's satirical take on the selfish and clueless behaviour of American tourists around the world. The higher this level, the greater the chance you will be thrown off the train, which allows you to progress deeper into the game. This counterintuitive choice is one of the many delightful Andersonian details that have made him such a star of the gaming world, and belongs with other memorable game moments as the failure of Max Fischer to win the heart of his teacher in Rushmore, or the death of the father figure triggering the reconciliation of his family in the final level of The Royal Tenenbaums.


Once off the train, the rules change, and you are required to keep the Obliviousness meter as low as possible, which triggers the River Rescue level. Again, Anderson plays tricks with the player by making the level impossible. Controlling Peter Whitman, you attempt to save a boy from a raging river, sadly to no avail. No matter how many times we restarted the level, the outcome was always the same. Though the consequence of this failure is continuation to the Funeral In Two Timezones level, it might frustrate many players expecting some kind of heroic catharsis, and could lead to the same kind of protests that followed the unavoidable death of Ned Plimpton in the helicopter level of The Life Aquatic.

Hopefully gamers will see past this and continue onwards, as the final levels of the game feature a race against time to reach the sanctuary of the Abbey, all the while chased by a man-eating tiger. This antagonist is as relentless as Nemesis from the third Resident Evil game, and can only be distracted with the use of pepper spray, cobras, and bottles of perfume. After this exhausting series of challenges, the brothers finally reach the Abbey, where they attempt to reconcile with the mother, who has absolutely no interest in making nice and instead just vanishes. Again, this could alienate the gamer as much as the lack of Jaguar-Shark-killing action in The Life Aquatic, especially as the game doesn't finish there, and doesn't give you any hint of what to do next. At least an hour was wasted walking the characters through the halls of the Abbey, with the same five phrases being spouted by the other brothers over and over again (we never want to hear the line about Peter stealing a belt again), before we realised that we had to leave the Abbey to head back to the nearby train station. A comment on the lack of tidy resolution in real life? Or crappy quality control by the game-testers? Who can say?

Throughout The Darjeeling Limited are littered a number of mini-games, each one specific to a certain character:

Jack:

• I Want That Stewardess: Can Jack seduce Rita while avoiding her angry boyfriend?
• Hotel Chevalier: Here comes Jack's ex-girlfriend. Can you activate your iPod in time for her arrival?

Francis:

• The Search For Brendan: Find your assistant and get him to laminate all of your itineraries before he gets sick of your nonsense.
• Dinner Time: Can you order dinner for each of your brothers before they get a chance to interject?
• Those Are $3000 Loafers!: Chase the young urchin through the streets to get your shoe back.

Peter:

• Is This Meant To Be Sad?: Finish reading Jack's short story without anyone seeing you cry
• We Think A Snake Might Have Gotten Onboard!: Hunt the cobra.
• Are These Dad's Keys?: Find all of your father's belongings, which are littered throughout the train and the Indian countryside. Hint: The final suitcase is hidden in the Funeral In Two Timezones level.

While these distractions are enjoyable, they tend to get in the way of the central narrative, diluting the effect of all of the rug-pulling mentioned earlier. It's hard to become completely affected by the emotional rollercoaster of the Whitmans' reconciliation when you're interrupted constantly by crude racing simmulators. Another annoyance is the poor choice of unlockables, which are mostly songs by The Kinks. For some reason Anderson seems to think that gamers are only playing his games in order to access songs by British bands from the 60s, and has added Kinks unlockables to all of his games. Time to move on from that particular peccadillo, especially as there are very few unused Kinks songs left.


These are small quibbles. Technically the game is a marvel, with excellent motion capture of the main actors throughout. India is atmospherically rendered, especially during the final scenes as the characters beccome more in tune with their surroundings, meaning the avatars become smaller and smaller in the frame. Narratively, the game is unusually complex, easily surpassing the inexplicably lauded driving game Little Miss Sunshine and its gimmicky colour-blind level. After a disappointment, Anderson is back, and Tweesoft have established themselves as a force to be reckoned with. We look forward to their forthcoming collaboration with Alexander Payne on the wine-themed platformer Sideways.

Le mépris, Ran and Others on Blu-ray in the UK This Fall

Despite the bad news that Criterion's planned Blu-rays of Jean-Luc Godard' Contempt [Le mépris] and Akira Kurosawa's Ran were scrapped due to the loss of rights, Optimum Releasing in the UK has both, plus a bunch of other exciting titles, set for a Blu-ray release in September. The other titles include: David Lynch's The Elephant Man, Alain Resnais' Last Year at Marienbad [L'année dernière à Marienbad], Luis Buñuel's Belle de jour, Joseph Losey's The Go-Between (which isn't even out on DVD in the US), Michael Cimino's The Deer Hunter, Volker Schlöndorff and Margarethe von Trotta's The Lost Honor of Katharina Blum [Die verlorene Ehre der Katharina Blum oder: Wie Gewalt entstehen und wohin sie führen kann], Luc Besson's Le dernier combat, Angel-A, Léon: The Professional, Le grand bleu [The Big Blue], Atlantis, Subway and Nikita [La femme Nikita].

In August, Optimum will be releasing Blu-rays of Mathieu Kassovitz's La haine, Alan Parker's Angel Heart and Kathryn Bigelow's Near Dark; in July, Alexandre Aja's Haute tension (which is called Switchblade Romance in the UK), Roman Polanski's The Pianist, Michael Winterbottom's 9 Songs, Rian Johnson's Brick, Gus Van Sant's Elephant and Stephen Frears' The Grifters. Apparently, the UK is the place for great international cinema in high def.

Also, thanks to Eric for the heads up, Artificial Eye in the UK is releasing a Jacques Rivette box-set, which includes La belle noiseuse, Secret défense and Jeanne la Pucelle I and II. This may be the first official release of the uncut version of Jeanne, but that has yet to be confirmed.