Friday, July 17, 2009

Vancouver or Seattle: Who's greener?


The two cities have plenty in common, particularly their enthusiasm for sustainability

By Michael Geller, Special to the Vancouver Sun July 17, 2009

Last month, two stimulating debates took place in Vancouver and Seattle to decide which city has the better-built environment. Sponsored by VIA Architecture, which has offices in both cities, the debates featured former Vancouver Councillor Gordon Price, who heads the City Program at SFU, and architect Peter Steinbrueck, who also served as a Seattle politician.

But what made them so fascinating and entertaining was the fact that the two speakers switched their normal roles -- Price spoke in favour of Seattle, while Steinbrueck defended Vancouver.

While each admitted that it was difficult being a booster for a competing city, these two urbanists had little difficulty identifying the shortcomings of their hometowns.

Steinbrueck thought Vancouver was better because of its absence of downtown freeways, its extensive SkyTrain network, more downtown residents (especially families), thin high-rise towers and podium townhouses, more public waterfront access, walkable neighborhoods with bikeable streets, and history of visionary planning.

Price praised Seattle for its Pike Place Market, unique neighborhoods with distinctive characters, downtown ferries, streetcars and free downtown buses, more varied and risk-taking architecture, beautiful downtown office buildings, major medical and research complexes and better cultural institutions supported by more generous civic patrons.

Each also highlighted his city's negatives. Steinbrueck noted that Seattle doesn't try to accommodate families in its new inner city communities, and Price criticized Vancouver's homogenous highrises and lack of architectural variety.

Recently, I was invited to Seattle to speak to a group of Urban Land Institute professionals from Portland and Seattle. These under-35 architects, planners and developers are Cascadia's future leaders in urban planning and development. Over a day-and-a-half, the Vancouver/Seattle debate continued, with the Portland delegates making the case for their wonderful city.

I talked about the mayor of Vancouver's desire to be the greenest city in the world, and while the American delegates did not laugh, they did smile, since both Seattle and Portland are considered the two most sustainable cities in the United States.

But there are similarities. As Vancouver gets ready to start its rapid transit line from the airport to the downtown, today Seattle is opening its long awaited 23-km, $2.3 billion light-rail line that will connect its downtown to Tukwila. An extension to SeaTac airport will begin later this year.

I was surprised to discover that there are striking similarities in our housing initiatives. When I mentioned that Vancouver City Council would be holding a public hearing next Tuesday, July 21 on laneway housing, Diane Sugimura, Seattle's director of planning and development handed me a brochure promoting backyard cottages, their version of laneway housing.

This summer, Seattle City Council will consider a proposal to allow homeowners across the city to build cottages in their backyards. In 2006, the city considered allowing detached cottages to be built citywide but instead approved them only for southeast Seattle as an experiment. Since 2006, just 17 have been built, but a city survey indicates neighbours either like them or do not notice them. The new proposal would limit the number to 50 per year and require the homeowner to live in either the main house or the cottage for at least half the year. Cottages cannot be added to homes that already contain a basement or 'mother-in-law' suite, and there are very specific guidelines for building height and area that vary depending on the width of the lot.

Not surprisingly, as in Vancouver, the concept has generated both supporters and critics. While I can see advantages and disadvantages to each city's approach, I think there are lessons we can learn from Seattle, and vice versa.

We can also learn from another Seattle initiative which encourages the redevelopment of single family lots with small infill cottages. Sugimura directed me to the corner of 16th and Jefferson where I found four attractive detached single-family homes that had replaced a larger older home. While one had an enclosed garage, the other three shared a surface parking area in the rear.

Each home was less than 1,000 square feet, but provided more than ample living space. On-demand hot water systems eliminated the need for bulky hot water heaters, thus freeing up more storage space. Sarah Bernstein, one of the residents told me that each home was individually owned without the need for any strata corporation.

In neighbouring Kirkland, on a quiet neighbourhood street, I discovered Danielson Grove, a delightful collection of small houses designed by Ross Chapin and developed by The Cottage Company.

This award-winning neighborhood offers sixteen one-, two-, and three-bedroom homes, each on a private lot, arranged around lavishly landscaped garden courtyards. Parking is provided in individual garages on the periphery of the development. Danielson Grove was built under the City of Kirkland's Innovative Housing Demonstration Program.

As Portland, Seattle and Vancouver struggle to accommodate growing populations, I believe that innovative ideas such as laneway housing and cottage homes can provide new choices for those seeking smaller and more affordable housing, but not wanting suites above commercial spaces or large downtown apartment buildings.

I would encourage all municipalities to establish demonstration programs to encourage architects and developers to explore innovative housing ideas. In so doing, we will help ensure that Cascadia remains at the forefront of sustainable living in North America. And Vancouver may one day become the greenest city in the world.

Michael Geller is a Vancouver based architect, planner and property developer and president of Laneway Cottages Inc.
© Copyright (c) The Vancouver Sun

The Decade List: (Some of) The Worst Films (2004)

On the fourth year of the Aughts, I realize that the (Some of) The Worst Films chapter has become rather drab. The lists never really amount to anything of substance, except mildly pissing a few people off, and simply expose the lousy crop of films I had the misfortune of seeing in some form. Is there any need to mention that Christmas with the Kranks blew or that an incompetently-made coming-of-age tale of a young European that no one's seen like Shem was even less enthralling than Catwoman?

I speculate that I continue to make these lists for two reasons. 1.) They're easy to compile and don't require me to sit down and watch them again (unless you strongly suggest I reevaluate my thoughts); and 2.) I derive great pleasure in spitting (and re-spitting) venom onto films as contemptible as Paul Haggis' Crash as often as possible. Yes, though it would go on to become the hands-down worst Best Picture winner in Oscar history in 2006, Crash technically made its premiere at Toronto in 2004. Once guaranteed to emit an angry tirate out of me, the process of aging has caused me to forget many of my reserve of arguments against that garbage. Or maybe I spend less time dwelling on the bad than I used to.

As for the common themes outside of Ben Affleck, lousy "adapatations" of Georges Bataille make a dual showing in 2004. Christophe Honoré's "faithful" adaptation of Bataille's final book Ma mère finds little more than a naked Louis Garrel and Isabelle Huppert on auto-pilot, while The Story of the Eye suffices in merely quoting the writer and proceeding with an inspid "art" video "porno" which shares no commonality with the book other than a central ménage à trois.

And for general comments: Oliver Stone can cut Alexander any way he wants to, but it'll never be a good film; despite Tracey Ullman being a fair substitute for Divine, A Dirty Shame is not good (at all); without trying, The Notebook is funnier than Napoleon Dynamite, which tries... hard; as hard as it is to offend me, the tween comedy Sleepover managed to do so; and Palindromes is the ill-conceived and -realized film I'd always expected to come from Todd Solondz.

- Alexander - d. Oliver Stone - USA/Germany/Netherlands/France/UK
- Along Came Polly - d. John Hamburg - USA
- Catwoman - d. Pitof - USA/Australia
- Christmas with the Kranks - d. Joe Roth - USA
- Club Dread - d. Jay Chandrasekhar - USA
- Crash - d. Paul Haggis - Canada/UK
- Crutch - d. Rob Moretti - USA
- The Day After Tomorrow - d. Roland Emmerich - USA
- A Dirty Shame - d. John Waters - USA
- Eating Out - d. Q. Allen Brocka - USA
- Garden State - d. Zach Braff - USA
- George Bataille's Story of the Eye - d. Andrew Repasky McElhinney - USA
- House of Flying Daggers - d. Zhang Yimou - China/Hong Kong
- Jargo - d. María Sólrún Sigurðardóttir - Germany/Iceland
- Ma mère - d. Christophe Honoré - France/Portugal/Austria/Spain
- Melinda & Melinda - d. Woody Allen - USA
- Most High - d. Marty Sader - USA
- Napoleon Dynamite - d. Jared Hess - USA
- The Notebook - d. Nick Cassavetes - USA/Portugal
- Palindromes - d. Todd Solondz - USA
- People: Jet Set 2 - d. Fabien Onteniente - France/Spain
- Ray - d. Taylor Hackford - USA
- Saved! - d. Brian Dannelly - USA
- Shem - d. Caroline Roboh - UK/Israel
- Sleepover - d. Joe Nussbaum - USA
- Slutty Summer - d. Casper Andreas - USA
- Surviving Christmas - d. Mike Mitchell - USA
- Until the Night - d. Gregory Hatanaka - USA

Thursday, July 16, 2009

The Decade List: Awards (2003)

After a much needed break from The Decade List, I'm returning to it tonight (though only for the list-making part). It wasn't the project itself that wore me out as much as just films in general. I haven't been keeping up on any of my viewings or writings, but I feel like I'm slowly getting out of that slump. I'm going to be playing catch-up on the years and films, so excuse the untidiness. Here is the belated award section for the year 2003 (and don't worry, Robert Altman's The Company isn't the only film from that year that I will be writing about). Remember when the Academy figured they'd make up for overlooking The Lord of the Rings series when it's first two installments came through by naming The Return of the King the best in all of its eleven nominated categories. I guess that can be forgiven for the sole reason of handing a statue to Annie Lennox. Maybe. Answer me this though: Did I miss something in Denys Arcand's The Barbarian Invasions, easily the most lauded single film to show up below? It barely left an impression on me (and much less of one than some of the director's other films). Alas, here goes.

Cannes

Palme d'Or: Elephant [d. Gus Van Sant]
Grand Prix: Uzak (Distant) [d. Nuri Bilge Ceylan]
Prix du jury: At Five in the Afternoon [d. Samira Makhmalbaf]
Best Director: Gus Van Sant - Elephant
Best Actor: Muzaffer Özdemir, Emin Toprak - Uzak
Best Actress: Marie-Josée Croze - Les invasions barbares [The Barbarian Invasions]
Best Screenplay: Denys Arcand - Les invasions barbares
Camera d'Or: Reconstruction [d. Christoffer Boe]


Venice

Golden Lion: The Return [d. Andrei Zvyagintsev]
Grand Special Jury Prize: Le cerf-volant (The Kite) [d. Randa Chahal Sabag]
Best Actor: Sean Penn - 21 Grams
Best Actress: Katja Riemann - Rosenstraße
Career Golden Lion: Dino De Laurentiis, Omar Sharif


Toronto

People's Choice Award: Zatôichi [d. Takeshi Kitano]
Discovery Award: Rhinoceros Eyes [d. Aaron Woodley]
Best Canadian Feature: Les invasions barbares (The Barbarian Invasions) [d. Denys Arcand]


Berlin

Golden Bear: In This World [d. Michael Winterbottom]
Best Director: Patrice Chéreau - Son frère
Best Actor: Sam Rockwell - Confessions of a Dangerous Mind
Best Actress: Meryl Streep, Nicole Kidman, Julianne Moore - The Hours
Jury Grand Prix: Adaptation. [d. Spike Jonze]
Outstanding Artistic Achievment: Li Yang - Blind Shaft
Honorary Golden Bear: Anouk Aimée
Teddy (Feature): A Thousand Clouds of Peace (Mil nubes de paz cercan el cielo, amor, jamás acabarás de ser amor) [d. Julián Hernández]
Teddy (Documentary): Ich kenn keinen - Allein unter Heteros (Talk Straight: The World of Rural Queers) [d. Jochen Hick]
Teddy (Jury Award): F.W. Murnau, in memorian


Sundance

Grand Jury Prize (Dramatic): American Splendor [d. Shari Springer Berman, Robert Pulcini]
Grand Jury Prize (Documentary): Capturing the Friedmans [d. Andrew Jarecki]
Director (Dramatic): Catherine Hardwicke - Thirteen
Director (Documentary): Jonathan Karsh - My Flesh and Blood
Special Jury Prize (Dramatic): (four-way tie) David Gordon Green - All the Real Girls (for emotional truth); Charles Busch - Die Mommie Die! (for outstanding performance); Patricia Clarkson - The Station Agent, Pieces of April, All the Real Girls (for outstanding performances); A. Dean Bell - What Alice Found (for emotional truth)
Special Jury Prize (Documentary): (tie) Stanley Nelson - The Murder of Emmett Till; Blue Hadegh, Grover Babcock - A Certain Kind of Death
Cinematography (Dramatic): Derek Cianfrance - Streets of Legend
Cinematography (Documentary): Dana Kupper, Gordon Quinn, Peter Gilbert - Stevie
Audience Award (Dramatic): The Station Agent [d. Thomas McCarthy]
Audience Award (Documentary): My Flesh and Blood [d. Jonathan Karsh]
Audience Award (World Cinema): Whale Rider [d. Niki Caro]


Academy Awards

Best Picture: The Lord of the Rings: The Return of the King [d. Peter Jackson]
Best Director: Peter Jackson - The Lord of the Rings: The Return of the King
Best Actor: Sean Penn - Mystic River
Best Actress: Charlize Theron - Monster
Best Supporting Actor: Tim Robbins - Mystic River
Best Supporting Actress: Renée Zellweger - Cold Mountain
Best Original Screenplay: Sofia Coppola - Lost in Translation
Best Adapted Screenplay: Fran Walsh, Philippa Boyens, Peter Jackson - The Lord of the Rings: The Return of the King
Best Cinematography: Russell Boyd - Master and Commander: The Far Side of the World
Best Documentary: The Fog of War: Eleven Lessons from the Life of Robert S. McNamara [d. Errol Morris]
Best Foreign Film: Les invasions barbares (The Barbarian Invasions) [d. Denys Arcand]
Animated Feature: Finding Nemo [d. Andrew Stanton]
Honorary Award: Blake Edwards


BAFTAs

Best Film: The Lord of the Rings: The Return of the King [d. Peter Jackson]
Best Director: Peter Weir - Master and Commander: The Far Side of the World
Best British Film: Touching the Void [d. Kevin Macdonald]
Best Actor: Bill Murray - Lost in Translation
Best Actress: Scarlett Johansson - Lost in Translation
Best Supporting Actor: Bill Nighy - Love Actually
Best Supporting Actress: Renée Zellweger - Cold Mountain
Best Original Screenplay: Thomas McCarthy - The Station Agent
Best Adapted Screenplay: Fran Walsh, Philippa Boyens, Peter Jackson - The Lord of the Rings: The Return of the King
Best Cinematography: Andrew Lesnie - The Lord of the Rings: The Return of the King
Film Not in the English Language: In This World [d. Michael Winterbottom]


European Film Awards

Best Film: Good Bye Lenin! [d. Stefan Arndt]
Best Director: Lars von Trier - Dogville
Best Actor: Daniel Brühl - Good Bye Lenin!
Best Actress: Charlotte Rampling - Swimming Pool
Best Cinematography: Anthony Dod Mantle - Dogville, 28 Days Later...
Best Screenplay: Bernd Lichtenberg - Good Bye Lenin!
Best Documentary: S-21, la machine de mort Khmère rouge (S21: The Khmer Rouge Killing Machine) [d. Rithy Panh]
Discovery: The Return [d. Andrei Zvyagintsev]
Screen International: Les invasions barbares (The Barbarian Invasions) [d. Denys Arcand]
Audience Award (Actor): Daniel Brühl - Good Bye Lenin!
Audience Award (Actress): Katrin Saß - Good Bye Lenin!
Audience Award (Director): Wolfgang Becker - Good Bye Lenin!
Life Achievement Award: Claude Chabrol


Independent Spirit

Best Feature: Lost in Translation [d. Sofia Coppola]
Best First Feature: Monster [d. Patty Jenkins]
Best Director: Sofia Coppola - Lost in Translation
Best Male Lead: Bill Murray - Lost in Translation
Best Female Lead: Charlize Theron - Monster
Best Supporting Male: Djimon Hounsou - In America
Best Supporting Female: Shohreh Aghdashloo - House of Sand and Fog
Best Debut Performance: Nikki Reed - Thirteen
Best Screenplay: Sofia Coppola - Lost in Translation
Best First Screenplay: Thomas McCarthy - The Station Agent
Best Cinematography: Declan Quinn - In America
Best Documentary: The Fog of War: Eleven Lessons from the Life of Robert S. McNamara [d. Errol Morris]
Best Foreign Film: Whale Rider [d. Niki Caro]
Someone to Watch Award: Andrew Bujalski - Funny Ha Ha


Golden Globes

Picture (Drama): The Lord of the Rings: The Return of the King [d. Peter Jackson]
Picture (Comedy/Musical): Lost in Translation [d. Sofia Coppola]
Director: Peter Jackson - The Lord of the Rings: The Return of the King
Actor (D): Sean Penn - Mystic River
Actress (D): Charlize Theron - Monster
Actor (M/C): Bill Murray - Lost in Translation
Actress (M/C): Diane Keaton - Something's Gotta Give
Supporting Actor: Tim Robbins - Mystic River
Supporting Actress: Renée Zellweger - Cold Mountain
Screenplay: Sofia Coppola - Lost in Translation
Foreign Film: Osama [d. Siddiq Barmak]
Cecil B. DeMille Award: Michael Douglas


Césars Awards

Best Film (Meilleur film): Les invasions barbares (The Barbarian Invasions) [d. Denys Arcand]
Best Director (Meilleur réalisateur): Denys Arcand - Les invasions barbares
Best Actor (Meilleur acteur): Omar Sharif - Monsieur Ibrahim et les fleurs du Coran
Best Actress (Meilleure actrice): Sylvie Testud - Stupeur et tremblements (Fear & Trembling)
Best Supporting Actor (Meilleur acteur dans un second rôle): Darry Cowl - Pas sur la bouche (Not on the Lips)
Best Supporting Actress (Meilleure actrice dans un second rôle): Julie Depardieu - La petite Lili
Most Promising Actor (Meilleur espoir masculin): Grégori Derangère - Bon voyage
Most Promising Actress (Meilleur espoir féminin): Julie Depardieu - La petite Lili
Best Screenplay (Meilleur scénario): Denys Arcand - Les invasions barbares
Best Cinematography (Meilleure photographie): Thierry Arbogast - Bon voyage
Best Foreign Film (Meilleur film étranger): Mystic River [d. Clint Eastwood]
Best European Union Film (Meilleur film de l'Union Européenne): Good Bye Lenin! [d. Wolfgang Becker]
Best First Film (Meilleur premier film): Depuis qu'Otar est parti... (Since Otar Left...) [d. Julie Bertucelli
Honorary César: Micheline Presle


Razzies

Worst Film: Gigli [d. Martin Brest]
Worst Director: Martin Brest - Gigli
Worst Actor: Ben Affleck - Daredevil, Gigli, Paycheck
Worst Actress: Jennifer Lopez - Gigli
Worst Supporting Actor: Sylvester Stallone - Spy Kids 3-D: Game Over
Worst Supporting Actress: Demi Moore - Charlie's Angels: Full Throttle
Worst Screenplay: Martin Brest - Gigli
Worst Remake/Sequel: Charlie's Angels: Full Throttle [d. McG]

Hello, Dušan Makavejev!

Criterion announced their October titles, and naturally their Eclipse titles, Dušan Makavejev: Free Radical, are more exciting than their main-line releases. The Eclipse set, which streets on 13 October, includes three of the director's films from the late-1960s: Man Is Not a Bird [Covek nije tica], Love Affair, or the Case of the Missing Switchboard Operator [Ljubavni slucaj ili tragedija sluzbenice P.T.T.] and Innocence Unprotected [Nevinost bez zastite]. As for the other films: Wim Wenders' Wings of Deisre [Der Himmel über Berlin] on DVD and Blu-ray on the 20th, Costa-Gavras' Z on DVD on the 27th, James Ivory's Howards End on Blu-ray on the 20th and Mira Nair's Monsoon Wedding on DVD and Blu-ray on the 13th.

For those disappointed with Criterion's decision to release Monsoon Wedding, a film that isn't especially remarkable and which already has an acceptable DVD out from Focus, they pulled out all the stops for the release, including most of Nair's shorts and documentaries, which I'm told are much, much better than her narrative features. The shorts include The Day the Mercedes Became a Hat, Migration, India (from 11'09''01 - September 11) and How Can It Be? (from 8); the docs include So Far from India, India Cabaret and The Laughing Club of India. If that alone doesn't thrill you, the Blu-ray should look amazing.

More Petzold from Project X/Cinema Guild

Project X, through Cinema Guild, announced a 6 October DVD release of Christian Petzold's Ghosts [Gespenster], which stars Aurélien Recoing, Sabine Timoteo and Benno Fürmann. In other DVD news, Magnolia will release Not Quite Hollywood: The Wild, Untold Story of Ozploitation! on 6 October; Anchor Bay is releasing Not Forgotten, with Paz Vega and Simon Baker, on 6 October; and MYA will have Sergio Garrone's Evil Face [Le amanti del mostro], with Klaus Kinski, on 27 October.

On the Blu-ray front, 20th Century Fox announced Fight Club for 13 October, and Paramount will be releasing South Park: Bigger, Longer and Uncut! on the same date. All for now. James Hansen revisited the brilliant South Park movie recently, which you can check out over at Out 1 Film Journal.

Wednesday, July 15, 2009

Seattle's Infill Cottages

So what is a cottage home? It's a small detached unit that can range in size from 800 sq.ft. to 1500 sq.ft. with either a traditional or contemporary design, set out in a variety of configurations. While I was recently in Seattle I visited two developments that I consider noteworthy. In nearby Kirkland, I discovered Danielson Grove, an award winning project designed by Ross Chapin and developed by the Cottage Company. The neighbourly character is achieved in part by separating the garages from the houses and siting them on the periphery of the development. As evidenced by these photos, each small home, ranging in size from approximately 800 sq.ft. to 1500 sq.ft. is exquisitely landscaped.



I would like to find a site in Langley or Port Coquitlam where I could develop something similar.










Back in Seattle, at the corner of 16th and Jefferson, I found the interesting development illustrated below. It comprises four small detached houses on a 60 by 100 single family lot. While the landscaping is not as impressive, the sense of community is. Here I found Sarah Bernstein and her neighbour together in the backyard where they regularly get together. The homes are individually owned but probably have an easement to allow for the shared driveway and communal parking for three cars. The fourth unit has a garage directly off the street. While the separation spaces between the houses are very tight, the collection of small cottages, each under 1,000 sq.ft. is very successful. I would love to have the opportunity to build a similar project in Vancouver on a demonstration basis. I just need to find the right corner lot!







Laneway Housing vs. Backyard Cottages!

On July 21, Vancouver City Council will begin a Public Hearing on the Laneway Housing zoning by-law proposals. I say begin, since I suspect the discussion may go on for a number of evenings. I plan to speak in favour of the proposals, since I consider this to be just one of a number of initiatives that can help provide greater housing choices in our city. However, I will be suggesting that the city require an additional parking space, since I believe this will help increase neighbourhood acceptance.

Recently, I was invited to speak on a panel in Seattle to a group of young leaders from the Urban Land Institute. On the same panel was Diane Sugimura, the Director of Planning in Seattle. When I told the group about Vancouver's proposed laneway housing, she passed over to me a brochure describing a current proposal being considered by Seattle Council that would permit 'backyard cottages'- essentially small infill units to be built in the rear yards of homes with or without 'alleys' (as the Americans call them).

Interestingly, although backyard cottages have been permitted in Southeast Seattle for the past couple of years, on a demonstration basis, only 17 units have been built. Unfortunately, time did not permit me to study why more had not been built. However, it may be that some of the city's requirements are too onerous. At any rate, the current proposal is to allow these cottages throughout the city.

I raise this point since some prospective purchasers of laneway housing in Vancouver have suggested to me that Vancouver's requirement that the units have interior water sprinklers and meet all applicable code requirements for a new house may make them too expensive to build as affordable rental housing. Time will tell.

Diane directed me to a number of projects around the city and to the city's website where I found an excellent planning document from which I have extracted a few pages below. http://www.seattle.gov/dpd/static/Backyard%20Cottages%20Guide_web_LatestReleased_DPDS015822.pdf
From this document, I noted that the city requires an additional parking space, but it can be in the front of the house, or a tandem parking space in the rear. Seattle has also prepared some very good guidelines addressing different types of lots. I understand Vancouver also plans to prepare a similar document. Hopefully, we will attempt to better understand why there has not been more take-up in Seattle before finalizing our new requirements and guidelines.